‘Steve’ and the Search for Happiness

 

Review by James Wilkinson

 

Steve – Written by Mark Gerrard. Presented by Zeitgeist Stage Company. Direction and scene design by David Miller. Costume Design: Elizabeth Cole Sheehan. Lighting Design: Michael Clark Wonson. Sound Design: Jay Mobley. Presented by Zeitgeist Stage Company at the Plaza Black Box Theatre at the Boston Center for the Arts, 527 Tremont St. through March 24, 2018.

 

I’m racking my brain, trying to think of a play that presents middle age in a positive light. (There must be at least one, right?) I seem to be unable to come up with a title. Every piece that tackles that period beyond the 18-35 demographic seems to paint it as a time of lost dreams, constant anxiety and the looming question, “Now what?” That question, “Now what?” is at the center of Mark Gerrard’s play, Steve, now being presented by Zeitgeist Stage Company at the Boston Center for the Arts’ Plaza Black Box Theatre. The characters in the piece are all asking themselves what comes next, leading them down a variety of different paths.

 

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Zeitgeist’s “Faceless” Artfully Melds Current, Timeless Themes

 

by Mike Hoban

 

‘Faceless’ – Written by Selina Fillinger; Directed by David Miller; Set Design by David Miller; Lighting Design by Michael Clark Wonson; Sound Design by Jay Mobley; and Costume Design by Elizabeth Cole Sheehan. Presented by the Zeitgeist Stage Company at Plaza Black Box Theater at the Boston Center for the Arts, 539 Tremont St. Boston through October 7.

 

There’s a lot going on in ‘Faceless’, the riveting new courtroom drama now making its New England premiere at the BCA’s Black Box Theater. For starters, there’s the specter of Islamic terrorism, the religious intolerance it has spawned, and the effect of social media on our decision-making process from the current topic file, along with the time-tested themes of screwed-up family dynamics, dealing with grief, and blind political ambition lurking in the background. If it sounds like Faceless covers a whole lot of territory in 90-minutes, it does – but director David Miller and his talented cast take the ambitious material and deliver an emotionally charged production that succeeds on most levels.

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