Central Square’s ‘Nerds’ Makes Strong Case for Why Representation Matters

March 16, 2022 michaelhobanLeave a comment

James Ricardo Milord, Daniel Rios, Jr., Alison Yueming Qu, Kortney Adams, Lindsey McWhorter, and Karina Beleno Carney. Photos: Nile Scott Studios.

‘Young Nerds of Color’ – Arranged by Melinda Lopez; Directed by Dawn M. Simmons; Original Music Composed by Nona Hendryx; Set Design by Shelley Barish; Costume Design by Rachel Padula-Shufelt; Lighting Design by Andrea Sofia Sala; Presented by the Underground Railway Theatre at Central Square Theater, 450 Massachusetts Avenue, Cambridge through March 20.

by Mike Hoban

As a young boy growing up in the sixties, my only exposure to scientists was through Saturday afternoon science fiction movies on “Creature Double Feature”, which showed mostly cheesy black-and-white films like The Deadly Mantis and It Came From Outer Space. The scientists were – nearly without exception – older white men, except when the offering was Destroy All Monsters or some other campy romp from Japan. As I grew older and my tastes matured somewhat, depictions of scientists on film and TV were still mostly old white guys, although white women scientists began to appear occasionally onscreen. What audiences didn’t see were scientists that were people of color.

‘Black Odyssey Boston’ is Near-Perfection

May 7, 2019 michaelhobanLeave a comment

Ramona Lisa Alexander (Circe) and Brandon G. Green (Ulysses Lincoln) with Akili Jamal Haynes in the background in ‘Black Odyssey Boston’. Photo: Maggie Hall. Photo: Maggie Hall.

by Nicholas Whittaker

‘Black Odyssey Boston’ – Directed by Benny Sato Ambush. Written by Marcus Gardley. Choreographer: Melissa Alexis. Scenic Designer: Jon Savage. Lighting Designer: Aja M Jackson. Sound Designer: Dewey Dellay. Music/Choral Director: Allyssa Jones. Properties Designer: Elizabeth Rocha. Stage Manager: Phyllis Y. Smith. Assistant Stage Manager: Sara Hutchins. Presented by Front Porch Collective and Underground Railway Theater at Central Square Theater through May 19th

To call Black Odyssey Boston a retelling of the Greek myth of Ulysses “but with Black people” would be a gross mischaracterization. Such a play, after all, would be politically weak and artistically disappointing. What good is seeing Black bodies on stage if the stage is not affected by their Blackness, if Black folks are not allowed to tell their own narratives, rather than be stand-ins for a drama they do not know? And what good is a mere “retelling” of one of the oldest stories we have, a parroting of the past?

Bedlam Takes ‘My Fair Lady’ Back to its Unsentimental Roots With Glorious ‘Pygmalion’

February 8, 2019August 14, 2019 michaelhobanLeave a comment

(Vaishnavi Sharma, Eric Tucker in ‘Bedlam’s Pygmalion’ – Nile Scott photos)

by Mike Hoban

‘Pygmalion’ – Written by George Bernard Shaw; Directed by Eric Tucker; Costume Design by Charlotte Palmer-Lane; Lighting Design by Les Dickert; Sound Design by Eric Tucker; Properties Coordination by Elizabeth Rocha and Joseph Stallone. Presented by Bedlam and The Underground Railway Theatre at Central Square Theater, 450 Massachusetts Avenue in Cambridge through March 3

If you’re heading to Central Square Theater to see Bedlam’s Pygmalion with the expectation that you’re going to see a kind of non-musical version of the rom-com-ish My Fair Lady, you may be in for a bit of disappointment. That’s because The New York-based troupe is presenting their own superb take on George Bernard Shaw’s century-old classic in its original form. Which, while still wildly comical, is more of a searing indictment of the early 20^th century classicism, misogyny, and anti-immigrant attitudes of the British monied class – that sadly doesn’t look much different than most western societies today – than a lighthearted comedy of manners.

Friendship and Politics Rumble in “Guards at the Taj”

March 7, 2018March 8, 2018 michaelhobanLeave a comment

by Michele Markarian

“Guards at the Taj” – Written by Rajiv Joseph; Directed by Gabriel Vega Weissman. Presented by Underground Railway Theater at Central Square Theater, 450 Massachusetts Avenue in Cambridge through April 1.

A few years ago I drove to Agra to see the Taj Mahal. Words can’t begin to describe how magnificent it was – I wanted to live in its shimmering beauty and sleep in its shadow. Hard to imagine how brilliant the Taj must have looked at its unveiling in 1648, but luckily, we don’t have to – we can see it reflected on the faces of Humayun (Jacob Athyal) and Babur (Harsh J. Gagoomal) in Underground Railway’s fantastic, funny, and tragic production of Rajiv Joseph’s “Guards at the Taj”.