Gamm Theatre’s “Twelfth Night” a Laugh Riot

Jeff Church, Kelby Akin, and Nora Eschenheimer in Gamm Theatre’s “Twelfth Night”.
Photos: Cat Laine

Reviewed by Tony Annicone

Welcome to Illyria, the setting of and the fourth show of Gamm Theatre’s 39th Season. The audience members are invited guests to a Shakespearean celebration. First, we come upon a shipwreck where twins Viola and Sebastian are separated and forced to survive on their own in a strange land. The first, Viola, falls in love with Count Orsino, who, in turn, falls in love with Olivia. However, Olivia falls for Viola, who is disguised as Cesario. Still, Olivia is also pursued by her pompous steward, Malvolio, who is viewed as such because he condemns drunken revelry by her uncle Toby Belch and Sir Andrew, another one of her suitors. Later on, Sebastian appears on the scene, throwing the situation into further disarray because he is the spitting image of his twin sister. Mistaken identities, gender-bending antics, revelries, and wild mayhem abound in this madcap Shakespearean tale written in 1601 or 1602. Directors Tony Estrella and Rachel Walshe take their talented performers and mold them into the characters of yesteryear, winning them the accolades they richly deserve.

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TWELFTH NIGHT ( Salve Regina University )


Reviewed by Tony Annicone

Welcome to Illyria, which is the setting of “Twelfth Night” at Salve Regina University at the Black Box Megley Theatre in Newport. The audience members are invited guests to a Shakespearean celebration. First we come upon a shipwreck where twins Viola and Sebastian are separated and forced to survive on their own in a strange land. The first, Viola, falls in love with Count Orsino who in turn is in love with Olivia. However Olivia falls for Viola whose is disguised as Cesario but Olivia is also pursued by her pompous steward, Malvolio who is viewed as such because he condemns drunken revelry by her uncle Toby Belch and Sir Andrew, another one of her suitors. Later on, Sebastian appears on the scene throwing the situation into further disarray because he is the spitting image of his twin sister. Mistaken identities, gender bending antics, revelries and wild mayhem abound in this madcap Shakespearean tale written in 1601 or 1602. Director Tom Gleadow takes his college student performers and molds them into these characters of yesteryear winning them the accolades they richly deserve.

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