A.R.T.’s Innovative “Romeo and Juliet” Elevates and Grounds Shakespeare’s Masterpiece

Emilia Suárez (Juliet) and Rudy Pankow (Romeo) in A.R.T.’s  Romeo and Juliet.
Photo Credits: Nile Scott Studios and Maggie Hall

‘Romeo and Juliet’ – By William Shakespeare. Directed by Diane Paulus. Movement and Choreography by Sidi Larbi Cherkaoui; Original Music Composed by Alexandre Dai Castaing; Scenic Design by Amy Rubin; Costume Design by Emilio Sosa; Lighting Design by Jen Schriever; Sound Design by Daniel Lundberg. Presented by American Repertory Theater at the Loeb Drama Center, 64 Brattle St., Cambridge through October 6.

By Shelley A. Sackett

Diane Paulus, Artistic Director at American Repertory Theater, has raised the bar on production values so often, we’ve come to expect the unexpected from her. From 1776 to Pippin to Gershwin’s Porgy and Bess, Gloria: A Life, Jagged Little Pill, Waitress, SIX, and more, theatergoers in Boston have benefitted from her inspiring collaborations and razor-sharp skills to enjoy Broadway-bound productions right in their own backyard.

Romeo and Juliet is no exception.

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Not Your Parents’ ‘Romeo & Juliet’ by Actors Shakespeare Project

Evan Taylor and Chloe McFarlane in Actors Shakespeare Project’s ‘Romeo & Juliet’

Actors Shakespeare Project presents ROMEO & JULIET. Written by William Shakespeare. Directed by Marianna Bassham. Movement Choreography by Ilya Vidrin. Lighting Design by Deb Sullivan. Costume Design by Lisa Coleman. Props Design by Grey Rung. Scenic Design by Saskia Martínez. Sound Design by Jesse Hinson. At the Roberts Studio Theater, Calderwood Pavilion, 527 Tremont Street, Boston, through June 2, 2024.

By Linda Chin

The works and words of William Shakespeare can be difficult to appreciate – and some may say, stay awake for – but after seeing their accessible production of Romeo and Juliet, I felt grateful that Actors Shakespeare Project chose to present this story this season (they last staged it a decade ago), and is part of the Boston arts and culture ecosystem in general. As seen in last year’s As You Like It, ASP intentionally blends stage (and Shakespearean) veterans with younger actors from local conservatories and communities, an ensemble of diverse storytellers playing diverse human characters – as I like it. 

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Huntington Brings Comically-Infused ‘Romeo and Juliet’ Into the 21st Century

George Hampe and Lily Santiago in Huntington’s ‘Romeo & Juliet

By Mike Hoban

Written by William Shakespeare, Directed by Peter DuBois; Scenic Design, Wilson Chin; Costume Design, Ilona Somogyi; Lighting Design, Russell H. Champa; Original Music & Sound Design, Obadiah Eaves; Choreographer, Daniel Pelzig; Fight Direction, Rick Sordelet & Christian Kelly-Sordelet. Presented by the Huntington Theatre Company at 264 Huntington Ave., Boston through March 31

Over the years there have been a multitude of theatrical updates of Romeo and Juliet, Shakespeare’s tragic tale of doomed teen lovers, with the best of those inarguably being the Bernstein/Laurents/Sondheim masterpiece, West Side Story. The latest take comes from the Huntington Theatre Company’s Artistic Director Peter Dubois, who – with the help of a plethora of Boston’s local stage luminaries – transports the story into the 21st century while leaving the original text intact. It’s a surprisingly comic and wildly entertaining version of the classic, but it also does an admirable job of driving home the idea that the toxic “blind tribalism” that is threatening to destroy democracy in America today is hardly a new development.

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The Underlings Theatre Co Sends Shakespeare Back to High School

 

by James Wilkinson

 

‘Romeo and Juliet’ Written by William Shakespeare. Directed by Lelaina Vogel. Voice and Text Coaching: Daniel Thomas Blackwell. Scenic Design: Christine Williamson. Costume Design: Rachael Linker. Lighting Design: Evyn Newton. Sound Design: Joshua Garcia. Presented by Underlings Theatre Co. at Chelsea Theatre Works Black Box Theater through March 3.

 

Do I even need to provide a summary of the plot to Romeo and Juliet? The details of Shakespeare’s tale of star-crossed lovers has seemingly seeped down into the marrow of western civilization. Try as you might, you can’t escape it. Even if you managed to somehow get through high school without reading the original text, you would be forgiven for thinking you knew the story by seeing any of the hundreds of adaptations and riffs on the story in movies, books, operas, television, ballets, musicals, and just about every other form of media out there. The ubiquity of the story in popular culture creates an interesting problem for any theatre company that might decide to take a stab at staging the play. How do you present a play when everyone in attendance thinks that they already know everything? It’s a challenge that the recently formed Underlings Theatre Co has taken up with their new production of the classic play, now running at Chelsea Theatre Works.

 

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