Love and Politics: ‘The Return’ a Superb Finale for Israeli Stage

(Philana Mia and Nael Nacer in Israeli Stage’s ‘The Return’)

By Mike Hoban

The ReturnWritten by Palestinian-Israeli Playwright Hanna Eady and American Playwright Edward Mast; Directed by Guy Ben-Aharon; Scenic Design by Cristina Todesco; Sound Design by David Wilson; Lighting Design by Jeff Adelberg; and Costume Design by Charles Schoonmaker. Presented by Gloucester Stage Company at 267 E. Main St. Gloucester for one night only on July 14 .

Despite its politically charged setting, The Return, the final production of the Israeli Stage Company’s nine-year run is, at its core, a love story – or more precisely, a forbidden love story. Skillfully directed by artistic director Guy Ben-Aharon, this exhilarating two-hander is pretty much guaranteed to produce a visceral reaction in anyone with strong views and/or an emotional attachment to the Israeli-Palestinian conflict. But for those without any emotional skin in the game, that detachment allows us to see this production as an examination of the inherent evil of tribalism, as played out in the lives of two people who – in a just world – would be free to openly love one another.

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Israeli Stage Company Founder Promises a Bold Return

by Linda Chin

Guy Ben-Aharon and his family left their home country of Israel and moved to Boston when he was nine. After a gap year in Spain before college, he returned to study at Emerson, and while there, founded the Israeli Stage Company. The Return by Hanna Eady and Edward Mast, a human story of the desires of a Palestinian citizen of Israel and a Jewish Israeli, marks the last play of the company’s final season. With two of Boston’s best actors – Nael Nacer and Philana Mia – in the lead roles and Ben-Aharon directing, The Return promises to be another groundbreaking and thought provoking production. Family, friends, and fans may be reassured to know that Ben-Aharon is not leaving Boston, nor his life as a theater artist behind, but is creating a new venture that promises a bold return.

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