Addiction Recovery-Centered Theater Group 2nd Act to Feature Storytelling at the Annual Fundraiser at the Huntington Theatre this Tuesday

2nd Act’s Annual Encore: Celebrate Artists in Recovery, our spring fundraiser, which will be held on Tuesday, May 21st, 2024, at 7:00 pm at The Huntington Theatre (264 Huntington Avenue, Boston) in the Maso Studio. 

By Mike Hoban

Boston2nd Act, a collective of theater artists in recovery who use theatre, film, and drama therapy to address the impact of substance use, will hold its annual fundraiser, Encore: Celebrate Artists in Recovery, at the Huntington Theatre this Tuesday. The troupe’s motto, “We believe in a world where all stories are honored, recovery is celebrated, and everyone gets a second act,” clearly defines its mission, will feature monologues by troupe members on the impact that 2nd Act has had on their lives as performers and people in recovery. The evening will also include a video of 2nd Act’s Social Emotional Learning Theatre Curriculum at Ostiguy HIgh School, Boston’s recovery high school.

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A Commanding ‘Stand Up If You’re Here Tonight’ at the Huntington

“Stand Up If You’re Here Tonight” – Written and directed by John Kolvenbach. Scenic Design by Kristine Holmes. Lighting Design by M Berry. Presented by Huntington Theatre Company, the Maso Studio, 264 Huntington Avenue, Boston, through March 23, 2024.

By Linda Chin

Stand Up If You’re Here Tonight is both the title of a very clever one-man show written by John Kolvenbach and one of many imperatives uttered by the show’s leading man –  actor Jim Ortlieb – to command the audience’s attention.

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Huntington and SpeakEasy’s co-production of ‘The Band’s Visit’ Makes the World Go Round

Jennifer Apple, Brian Thomas Abraham in the “The Band’s Visit” at the Huntington.
Photos by T Charles Erickson

“The Band’s Visit” — Music and Lyrics by David Yazbek. Book by Itamar Moses. Based on the Screenplay by Eran Kolirin. Directed by Paul Daigneault; Choreography by Daniel Pelzig. Music Direction by José Delgado. Scenic Design by Wilson Chin and Jimmy Stubbs. Costume Design by Miranda Kau Giurleo. Lighting Design by Aja M. Jackson. Sound Design by Joshua Millican. Produced by Huntington Theatre in collaboration with SpeakEasy Stage at 264 Huntington Ave. Boston through December 17.

By Linda Chin

As the house lights go down and the overture (conducted by music director extraordinaire José Delgado) begins, a message is projected on a large-screen: “Once, not long ago, a group of musicians came to Israel from Egypt. You probably didn’t hear about it. It wasn’t very important.” Bookending the production, this message is reiterated at the show’s conclusion by Dina (a dazzling Jennifer Apple), the owner of a café in Bet Hatikvah (a fictional town), Israel, 1996, where an Egyptian police band led by Tewfiq (solidly portrayed by Brian Thomas Abraham) has mistakenly arrived. The next bus doesn’t depart until the next day, and the band is hungry, tired, and stranded.

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BLO Stages a Broadly Comic ‘Threepenny Opera’

 

By Mike Hoban

 

Music by Kurt Weill; Libretto by Bertolt Brecht; English translation by Michael Feingold; Original German text based on Elisabeth Hauptmann’s German translation of John Gay’s “The Beggar’s Opera”. Directed by James Darrah; Music Direction by David Angus; Set Design by Julia Noulin-Mérat; Lighting Design by Pablo Santiago; and Costumes by Charles Neumann. Presented by the Boston Lyric Opera at the Huntington Avenue Theatre, 264 Huntington Avenue, Boston through March 25

 

Let me begin by saying that the sum total of my experience with opera is pretty much confined to multiple viewings of the Warner Bros. classic cartoon, What’s Opera Doc. But as a friend and colleague informed me when I told him at intermission that I had never seen an opera until now, he jokingly replied, “Well, you still haven’t.”

 

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