‘The Chinese Lady’ Educates, Entertains

Jae Woo as Atung, Sophori Ngin as Afong Moy in ‘The Chinese Lady’ at Central Square Theater.  Photos: Nile Scott Studios.

Written by Lloyd Suh. Directed by Sarah Shin. Set Design by Qingan Zhang. Lighting Design by Kat C. Zhou. Costume Design by Sandra Zhihan Jia. Sound Design by Kai Bohlman. Presented in partnership with CHUANG Stage at Central Square Theater, Cambridge through December 11, 2022.

by Linda Chin

In November 1834, fresh off the boat from Guangdong, China, fourteen-year-old Afong Moy made her New York City debut. Brought to the U.S. by New England merchants Nathaniel and Frederick Carne, Moy was featured in an exhibit the Carnes created to promote their trade goods from the exotic East. In a full-size diorama filled with Chinese paintings, lanterns, vases, and other (inanimate) decorative objects, a Chinese Lady (Moy) in full theatrical makeup, elaborately embroidered silk clothing and seated in an ornamental chair was also on display. She demonstrated how one skillfully eats with chopsticks, properly pours and drinks tea, and walks gracefully in lotus shoes adorning her four-inch feet. A brief audience Q&A facilitated by interpreter Atung followed the performance. Confined in a box for eight hours a day, Moy diligently carried out her role of cultural ambassador, repeating her act over and over again for the “education and entertainment” of an estimated 2000 audience members/week.

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