ASP’s ‘Emma’ Is Deliciously Incisive, Ingenious and Impudent

Lorraine Victoria Kanyike, Fady Demian, Josephine Elwood, and Liza Giangrande in Actors’ Shakespeare Project’s production of ‘Emma’. Photo by Nile Scott Studios.

‘Emma’ — Written by Kate Hamill. Based on the novel by Jane Austen. Directed by Regine Vital. Scenic Design by Saskia Martinez; Costume Design by Nia Safarr Banks; Lighting Design by Deb Sullivan; Sound Design by Anna Drummond. Presented by Actors’ Shakespeare Project at Multicultural Arts Center, 41 Second St., East Cambridge through December 15th.

By Shelley A. Sackett

Jane Austen’s 1815 novel “Emma,” like all her other novels, explores the concerns and difficulties of genteel women living in Georgian–Regency England. Her Emma Woodhouse is a bright, wealthy, and confident young woman who basically has it all — education, intelligence, beauty, and money. She also has a surplus of self-confidence, pride and time. She is as spoiled, meddlesome, and self-deluded as she is witty, charming, and pithy.

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The Musical Revelation of “Who is Eartha Mae?”

Jade Wheeler in “Who Is Eartha Mae” (photos by Andrew Brilliant)

by Michele Markarian

“Who is Eartha Mae?” by Jade Wheeler. Directed by Caitlin Doran. Scenic Design by Esme Allen;  Costume Design by Kathleen Doyle;  Wig Design by Rayo Cole; Lighting Design by Laura Hillebrand;  Sound Design by Jason Rosenman;  Properties by Joe Stallone. Presented by Bridge Repertory Theater, Cambridge Multicultural Arts Center, 41 2nd Street, Cambridge, through February 23.

You know you’re in for an intimate experience when producing artistic director Olivia D’Ambrosio urges you, during her charmingly disarming curtain speech, to introduce yourself to your closest neighbor. Something about the gesture of doing so is relaxing, open, and prepares you well to receive the very talented and engaging Jade Wheeler, in her entertaining and revealing one woman show, “Who is Eartha Mae?”

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