It is a rare actor who, when telling a story through song, can take you to dizzying heights and dark depressing nights in under four minutes. With her riveting rendition of “I Miss the Mountains” (Next to Normal) at Boston Public Radio’s Live Music Friday series on June 14th, the astonishing Alice Ripley took me up, down, and back fifteen years to Broadway’s Booth Theatre, where I saw her pitch-perfect, Tony Award-winning portrayal of Diana Goodman, a suburban housewife and mother with bipolar disorder. Ripley also sang a sensational “I Dreamed A Dream” from Les Miserables (she played Fantine in the 1998 Broadway run). Theatre producer, composer, arranger, pianist, Grammy and Emmy winner, and force of nature John McDaniel is accompanist for both numbers.
Cast of Peterborough Players’ ‘Cabaret’. (L to R: Matthew McGlloin, Isaac Phaman Reynolds, Zhang Bai-han, Kate Kenney, Max Elliott Braunstein, Gregory Coulter, Lucy Zukaitis, Katie Shults, Zaramaría Fas)
‘Cabaret’ – Book by Joe Masteroff; Based on the play by John Van Druten and Stories by Christopher Isherwood; Music by John Kander; Lyrics by Fred Ebb; Directed by Tom Frey; Choreographed by Ilyse Robbins; Music Directed by Jenny Kim-Godfrey. Presented by the Peterborough Players, 55 Hadley Road, Peterborough, NH through July 3rd.
by Mike Hoban
The Peterborough Players return to the stage after a two-plus year layoff from indoor performances at their 250 seat theater, bring it back in grand style, mounting a winning production of Kander & Ebb’s Cabaret. The choice of this musical could not be more timely given recent events, resonating in a way we could not have dreamed of when it debuted on Broadway in 1966. It’s a chilling reminder that what happened in 1930s Germany could very well happen here in the 21st century. Luckily for audiences looking to escape from what seems to be a daily onslaught of bad news, it’s also one of American Theater’s great musicals, with an equally strong book. The Peterborough Players production – buoyed by a strong cast, sure direction, and inventive choreography – delivers a compelling and enjoyable night of theater.
‘Cabaret’ – Written by John Kander (Lyrics); Fred Ebb (Music) and Joe Masteroff (Book). Ben Hart and Brandon James (Co- Directors), Jason Faria and Alyssa Dumas (Choreographers), Suzanne Jones (Music Director), Kelly Gibson (Lighting Design), Andrew Cameron (Sound Design), DW (Costume Design), Elise O’Connell (Properties). Through September 5 at the Seacoast Repertory Theatre, Portsmouth, NH.
By Linda Chin
In a beautiful seaport city called Portsmouth, New Hampshire in a country called America there is a wonderful Theatre…and though this past year has felt like the end of the world, artists and audiences have continued to safely gather there and connect with each other. One of the few theatres in New England performing for in-person (and live-streamed) audiences in 2021, Seacoast Rep closes its summer block with the audience-favorite, the Tony Award-winning musical Cabaret.
(Randy Harrison as Emcee, cast of Ogunquit Playhouse’s ‘Cabaret’)
by Linda Chin
‘Cabaret’ – Creative Team: BT McNicholl (Director), Andrea Leigh (Choreographer), Bruce Barnes (Music Director), Robert Brill (Scenic Designer), William Ivey Long (Costume Designer), Richard Latta (Lighting Design), Kevin Heard (Sound Designer), Roxanne De Luna (Wig/Hair and Makeup Designer), Anthony C. Daniel (Casting), Robert V. Thurber (Associate Director and Production Stage Manager). Presented by Ogunquit Playhouse at 10 Main St, Ogunquit, ME through August 10
(Note: At this writing, the news of the passing of Hal
Prince, director of Cabaret’s original (1966) production, has been announced.
RIP to the Prince of Broadway.)
There is a theater (Ogunquit Playhouse), and there is an executive artistic director (Bradford T. Kenney), and there is a state (Maine) in a country called the United States, with a production of Cabaret that is simply, sensuously, sensational. Having seen multiple revivals of this iconic musical on college, regional, and Broadway stages over the past four decades, I’ve been struck each time by the brilliant and complex musical composition and lyrics by John Kander and Fred Ebb, the masterful book by Joe Masteroff (commissioned by the late Hal Prince), and the timelessness of the show’s themes. In Ogunquit’s Cabaret, the lighting and scenery, costumes, wigs and makeup, the music and choreography, the orchestra, the girls – and yes, the boys – are beautiful, and all the elements in this exquisite production meld seamlessly to tell the story of life in 1930s Berlin, of love blossoming with the rise of Nazi Germany as a dark, lurking backdrop.
You can’t experience Moonbox’s stunning version of Kander & Ebb’s CABARET (@ BCA through April 29th) without thinking of the Neo-Nazis who marched in Charlottesville. The current president and his nationalist (that’s nazionalist auf Deutsch) followers are fanning the flames of white supremacy with every other tweet. CABARET was shocking in 1966 for its dark eroticism but director/choreographer Rachel Bertone creates a chilling resonance in the Moonbox production which is “take-your-breath-away” devastating.
The National Tour of “Cabaret” is the latest musical to grace the stage at the historic Hanover Theatre in Worcester, MA. This Kander and Ebb Tony Award winning musical is set in the tumultuous city of Berlin right before Hitler’s rise to power. “Cabaret” won it’s first Tony for best show in 1967, the second Tony for best revival in 1998 and is based on Christopher Isherwood’s “Berlin Stories” and John Van Druten’s “I Am a Camera.” This version was inspired by the 1993 production at the Donmar Warehouse in London. The action takes place in the Kit Kat Klub where the show begins with the jazz number “Wilkommen” as well as in Fraulein Schneider’s boarding house and Herr Schultz’s fruit shop. Cliff Bradshaw, a young American novelist arrives on the train to Berlin where Ernst, a German businessman, places his briefcase among Cliff’s luggage at the German border and uses it as an opportunity to make Cliff’s acquaintance.
