Daigneault Closes the Door on SpeakEasy Stewardship with Poignant and Timely ‘A Man of No Importance’

Cast of Speakeasy’s ‘A Man of No Importance’. Photos by Nile Scott Studios

‘A Man of No Importance’ – Based on the film, ‘A Man of No Importance’. Lyrics by Lynn Ahrens; Music by Stephen Flaherty; Book by Terrence McNally; Directed by Paul Daigneault. Choreographed by Ilyse Robbins. Music direction by Paul S. Katz. Presented by SpeakEasy Stage Company. At the Roberts Studio Theatre, Calderwood Pavilion, Boston Center for the Arts, through March 22.

By Mike Hoban

For the final show of a thirty-plus year career as the founder & artistic director of Boston’s SpeakEasy Stage Company, it’s interesting to note that Paul Daigneault chose the small but quietly beautiful A Man of No Importance for his final production. Producer and/or director of over 160 productions and winner of multiple Eliot Norton and IRNE Awards, Daigneault is equally adept at drama and musicals, including the mind-blowing two-part The Inheritance in 2022 and a slew of terrific musicals, the most recent being the Eliot Norton Award-winning The Band’s Visit. So it should probably come as no surprise that his final selection straddles the two genres.

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Yorick Ensemble’s ‘The Guy Who Didn’t Like Musicals’ Will Convert Even the Most Ardent of Musical Haters

The cast of The Guy Who Didn’t Like Musicals. Photo Credit: Toni Photography. 

The Guy Who Didn’t Like Musicals with Music and Lyrics by Jeff Blim. Book by Matt & Nick Lang. Originally Produced by Starkid Productions. Directed by Kari Boutcher, Music Directed by Elias Condakes. Scenic Design by Bradley Boutcher & Josh Telepman. Costume & Prop Design by Josh Telepman. Lighting & Sound Design by Michael Jay. Produced by Yorick Ensemble at BCA Plaza Theatre at 539 Tremont Street, Boston, through February 22nd. 

By Charlotte Snow 

Whether we like to admit it or not, being surrounded by theater people is a special kind of Hell. We’re overly extroverted, overly annoying, overly… everything! So when I saw that Yorick Ensemble was producing The Guy Who Didn’t Like Musicals, a musical that is self-aware about musicals being a plague to humanity, I was jazzed as a chorus boy’s hands. Despite being about musical theatre and its culture, this show has never made it to Broadway. Although it’s famous, it’s YouTube famous.

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Theater Uncorked’s ‘The Lion in Winter’ Growls Instead of Roars

Thain Emrys Bertin, Sehnaz Dirik, James Honaker, and Finian Ross in Theater Uncorked’s ‘The Lion In Winter.’ Photos by Gary Ng.

‘The Lion In Winter’ by James Goldman. Directed by Allison Olivia Choat. Produced by/ Prop Design by/ Scenic Design by Sehnaz Dirik; Set Design by Leonard Chasse; Costume Design by Richard Itczak; Lighting Design by Erik Fox; Intimacy Direction by Kayleigh Kane. Produced by Theater Uncorked, ‘The Lion In Winter’ runs from December 5th – 15th at the BCA Plaza Theatre, 539 Tremont St, Boston, MA 02116.

By Charlotte Snow

The Lion In Winter is one of those “perfect for the family to watch during the holidays” shows. It contains all of the warm and fuzzy feel-good tropes such as the mother recently released from prison, three scheming siblings plotting their father’s downfall, and one offstage dead child. It’s as heartbreaking as it is surprisingly funny at times. The satire follows fictionalized versions of Henry the II and Queen Eleanor of Aquitaine as their sordid and sparring relationship consequently drags down the rest of their family: three fatally flawed sons, Henry’s mistress/Eleanor’s surrogate daughter, and a vengeful newly crowned king of France, into an ill-fated Christmas gathering full of dangerous ambitions, complex political schemes, and saucy romantic entanglements. 

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Vinny DePonto’s MINDPLAY a Mind-Bending Experience

Performer, playwright, and mentalist Vinny DePonto in “Mindplay” at the Huntington Theatre.
Photos by Jeff Lorch.

‘Mindplay’ by Vinny DePonto and Josh Koenigsberg. Directed by Andrew Neisler. Produced by Eva Price. Presented by the Huntington Theatre Company, Calderwood Pavilion, Boston Center for the Arts, 527 Tremont St., Boston, MA, through December 1.

By Mike Hoban

There’s no question about it: The feats (tricks?, stunts?) performed by mentalist and self-described mind reader Vinny DePonto during MINDPLAY, his one-man “exploration of the imperfect mind,” are nothing short of astonishing. His ability to correctly “read” the thoughts of the audience members that he calls to the stage – whether through the use of gimmicks, psychological ploys, or (less likely) a supernatural gift – is well worth the price of admission, as are the segments of the performance that seem more like a magic show.

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‘Did You Eat? (밥먹었니?)’ A Poignant Portrait of the Artist Zoë Kim as a Young Girl Hugs and Fills Your Soul

Zoë Kim during a performance of her show “Did You Eat? (밥 먹었니?).” (Courtesy Maggie Hall)

CHUANG Stage and Seoulful Productions present ‘Did You Eat (밥 먹었니)?’ Written and performed by Zoë Kim. Directed by Chris Yejin. Choreography by Christopher Shin. Set and Costume Design by Szu-Fen Chen. Sound Design by Katie Kuan-Yu Chen. Lighting Design by Ari Kim. Projection Design by Michi Zaya. At Boston Center for the Arts, Black Box Theatre, 539 Tremont Street, through November 30, 2024.

By Linda Chin

As we transition into colder and darker winter weather and approach the holiday season and its accompanying triggers (stress, travel, grief, family dynamics, food, lack of belonging, anyone?), being in a room with other compassionate and kind humans can be an antidote to loneliness. In that respect, the timing of CHUANG Stage and Seoulful Productions’ world premiere of the new solo show Did You Eat?( 밥 먹었니 ?), stunningly penned and performed by Asian American storyteller Zoë Kim, couldn’t have been more perfectly planned. At the Black Box Theater in the depths of the Boston Center for the Arts, Kim shares her life journey from birth to now, transporting us to places and spaces in Korea and the US that have felt unsafe, while taking audiences on a deep dive into the complexities of identity, love, and family.

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Theater Mirror Talks with Emmy Award-winning Actor Gordon Clapp, on returning to Boston for Speakeasy Stage’s ‘Pru Payne’

Karen MacDonald and Gordon Clapp in the SpeakEasy Stage Company production of Pru Payne. Photo: Nile Scott Studios

Gordon Clapp, best known for his Emmy-winning role of Detective Greg Medavoy in the long-running TV series NYPD Blue, returns to the Boston stage for the second time this year, following up his acclaimed portrayal of poet Robert Frost (Robert Frost: This Verse Business) last spring. This time around, Clapp appears in Pru Payne, an unlikely love story set in a memory care unit by Pulitzer Prize nominee and Newton native Steven Drukman (“Another Fine Mess”). Clapp plays a retired custodian who falls in love with the title character, a contemporary Dorothy Parker type whose memory is failing. The cast includes Boston theater stalwarts Karen MacDonald, Marianna Bassham, Greg Maraio, and De’Lon Grant, and runs through November 16th at the Roberts Studio Theatre, Boston Center for the Arts.

Theater Mirror spoke with Clapp during the rehearsal process.

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Not Your Parents’ ‘Romeo & Juliet’ by Actors Shakespeare Project

Evan Taylor and Chloe McFarlane in Actors Shakespeare Project’s ‘Romeo & Juliet’

Actors Shakespeare Project presents ROMEO & JULIET. Written by William Shakespeare. Directed by Marianna Bassham. Movement Choreography by Ilya Vidrin. Lighting Design by Deb Sullivan. Costume Design by Lisa Coleman. Props Design by Grey Rung. Scenic Design by Saskia Martínez. Sound Design by Jesse Hinson. At the Roberts Studio Theater, Calderwood Pavilion, 527 Tremont Street, Boston, through June 2, 2024.

By Linda Chin

The works and words of William Shakespeare can be difficult to appreciate – and some may say, stay awake for – but after seeing their accessible production of Romeo and Juliet, I felt grateful that Actors Shakespeare Project chose to present this story this season (they last staged it a decade ago), and is part of the Boston arts and culture ecosystem in general. As seen in last year’s As You Like It, ASP intentionally blends stage (and Shakespearean) veterans with younger actors from local conservatories and communities, an ensemble of diverse storytellers playing diverse human characters – as I like it. 

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Theater Mirror interviews Emmy Award-winning Actor Gordon Clapp, who brings his one-man Robert Frost show to the BCA

Gordon Clapp as Robert Frost

Emmy-winning actor Gordon Clapp (NYPD Blue) will bring his acclaimed portrayal of poet Robert Frost to Boston this Spring in the one-man show “Robert Frost: This Verse Business” by local playwright A.M. Dolan.The show portrays the great poet and platform legend whose public “talks” were hot tickets for nearly half a century. Theater Mirror spoke with Clapp as he prepared for the April 23-28 run at the Calderwood Pavilion in Boston.

by Mike Hoban

Theater Mirror: I understand that you’ve long had a love affair with Robert Frost’s work. How did you first discover him?

Gordon: It was the Kennedy inauguration (where Frost read “The Gift Outright”) – I’m that old – but I knew of him before that. Later in school, we were assigned “Out, Out,” which is a reference to “Out out brief candle!” (from Macbeth). It’s a very dark poem. In an idyllic setting, this horrific event happens. A boy gets his hand cut off by a buzzsaw in rural New England in the backyard of his home, and it really had an impact on me as a boy of that age in that setting, some fifty years later, and I just got addicted to Frost’s poetry. I would do little readings all through college, and a few years after college, I read his three-volume biography by Lawrence Thompson and said to myself, “I’ve got to bring this guy to the stage.” It took me thirty years to get around to it, but when I turned 60, I thought, “Now I can get away with playing the older Frost.”

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Theater Mirror Speaks with Comedian Gabe Mollica, who is bringing his one-man show, “Solo: A Show About Friendship,” to the BCA

Comedian Gabe Mollica brings his Off-Broadway comedy, “Solo: A Show About Friendship,” to the Calderwood Pavilion at the BCA from April 16-21st. He dives deep into what it means to have friends in your 30s, his special relationship with Stephen Sondheim, working at a summer camp for children with chronic illnesses, and what happens when you break up with your best friend. Theater Mirror caught up with Gabe recently as he prepared for his Boston engagement.

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Rapturous Applause for Anthony Rapp’s ‘Without You’

Anthony Rapp in “Without You”. Photos by Russ Rowland

‘Without You,’ – Written and performed by Anthony Rapp. Songs by Jonathan Larson, Anthony Rapp, David Matos, and Joe Pisapia. Directed by Steven Maler. Scenic design and lighting design by Eric Southern. Costume design by Angela Vesco. Sound design by Brian Ronan. Projection design by David Bengali. Musical Director & Orchestrations: Daniel A. Weiss. Presented by Ambassador Theater Group at the BCA’s Wimberly Theater, Tremont Street, Boston, through April 14.

By Linda Chin

Since childhood, Anthony Rapp has loved singing, playing the lead in musicals such as Oliver, and delighting audiences in his hometown of Joliet, Illinois – especially his biggest fan, his mother, Mary Lee. After moving to NYC, Rapp appeared in a host of roles his mother wished were more “normal.” While working at Starbucks to, uh, pay the rent, Rapp got his big break at age 22 when he landed the principal role of Mark Cohen (the filmmaker and narrator) in the off-Broadway and Broadway productions of Jonathan Larson’s ground-breaking musical RENT.

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