A Triumphant “Angels in America” Graces Central Square

Maurice Emmanuel Parent and Zach Fike Hodges in “Angels in America” at Central Square

“Angels in America,” Written by Tony Kushner. Directed by Eric Tucker. Presented by Central Square Theater and Bedlam, 450 Massachusetts Avenue, Cambridge, extended through May 28.

by Michele Markarian

It is the year 1985.  “Angels in America” opens with a funeral, a rabbi (Debra Wise) presiding over the body of an elderly woman who undertook a perilous journey to America to live “in this melting pot, where nothing melted.”  The deceased is the grandmother of Louis Ironson (Zach Fike Hodges), a gay Jewish man who is too uptight to introduce his WASP boyfriend, Prior Walter (Eddie Shields), to his family.  Later that evening, Prior reveals to Louis that he has Kaposi sarcoma, a symptom of what was then called the gay cancer, or AIDS.  In another part of the city, Mormon couple Harper and Joe Pitt (Kari Buckley and Nael Nacer) are both struggling – Harper with a pill addiction and Joe with his latent homosexuality.  Joe’s boss is the nefarious lawyer (and mentor to none other than Donald Trump, a fun fact not mentioned in the play) Roy Cohn (Steven Barkhimer, in this performance). Cohn also has AIDS but wants it to be on the record that it’s liver cancer.  Cohn feels gays are effeminate and considers himself merely a man who likes to sleep with other men.  As both couples fall apart – Louis can’t handle Prior’s illness, and Harper can’t handle the fact that Joe isn’t attracted to her – new connections are forged through dreams and reality.  

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The Nora Theatre Lets Loose The Crucible with some Help from Bedlam

(The Cast of ‘The Crucible’ Presented by The Nora Theatre Company in association with Bedlam)

Review by James Wilkinson

‘The Crucible’Written by Arthur Miller. Directed by Eric Tucker. Scenic and Properties Designer: Lindsay Genevieve Fuori. Costume Designer: Elizabeth Rocha. Lighting Designer: John Malinowski. Sound Engineer Ted Kearnan. Dramaturg: Musa Gurnis. Presented by The Nora Theatre Company in association with Bedlam, 450 Massachusetts Ave, Cambridge, through October 20

As I heard it, the joke is that if you meet someone who participated in high school theatre, you ask them which one they did: Our Town or The Crucible? With their large cast sizes, the two shows hold a particular appeal to drama teachers who are looking to cram as many kids on stage as possible (though I wasn’t in it, my own high school did Our Town my freshman year.) The Crucible has the added bonus of having both its plot and the circumstances it was written in as major historical moments, allowing teachers to force the rest of the student body watch as part of their lesson plan. When you first step into Central Square Theater it looks like this production of The Crucible, (from The Nora Theatre Company in association with Bedlam), is going to riff on this idea of our shared history with the play. The drab green and off-white colors on the walls suggest a high school gymnasium that’s seen better days. High up on the back wall is a mural, (one almost identical to several in my own high school), that’s been painted over but needs a few more coats before it gets completely washed away. When director Eric Tucker makes his first appearance as Reverend Hale, he looks the spitting image of your physics teacher (or at least, mine).

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A Captivating ‘Saint Joan’ from Bedlam

 

By Michele Markarian

 

Bedlam’s “Saint Joan” by George Bernard Shaw. Directed by Eric Tucker. Presented by Arts Emerson, Emerson Cutler Majestic Theatre, 219 Tremont St, Boston, MA through March 25.

 

The great thing about attending a Bedlam show – this is my fourth – is that you know you will never, ever be bored. This company’s take on the classics is so energizing and fresh that even when you think you know the script, you’ll find yourself in for some surprises.  Saint Joan is no exception. Four characters play all of the roles, and they do it amazingly well.

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