Central Square Theater’s ‘SPACE’ Explores A New Frontier Of History

Catharine K. Slusar, Kaili Y. Turner, Hui Ying Wen, MK Tuomanen in ‘Space’ at Central Square
Photo by: Nile Scott Studios

‘SPACE’ — Written by LM Feldman. Directed by Larissa Lury. Scenic Design by Qingan Zhang. Costume Design by Charlotte Snow. Lighting Design by John R. Malinowski. Properties Design by Julia Wonkka. Sound Design by Nate Tucker, Movement direction and intimacy coordination by Lindsay Torrey. Presented by Central Square Theater, 450 Massachusetts Ave, Cambridge, MA 02139 through February 23rd.

by Helen Ganley

In an interview dated October 22, 2022, NASA historian Jennifer Ross-Nazzal asked Dr. Sally Ride what the agency needed to add to the flight kit, considering that women would be in space for the first time. Dr. Ride recalled, “I remember the engineers trying to decide how many tampons should fly on a one-week flight; they asked, ‘Is 100 the right number?’”

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Tap and Piano Fuse Magically in the Unique ‘Counterpoint’

Conrad Tao (L) and Caleb Teicher in ‘Counterpoint, presented by Celebrity Series of Boston
Photo by Richard Termine

Celebrity Series of Boston presents Caleb Teicher & Conrad Tao in ‘Counterpoint.’ At the Boston Arts Academy Theater, Feb. 7-8.

By Shelley A. Sackett

Counterpoint, the 75-minute collaboration between pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher, is a magical journey that explores the interplays between two seemingly divergent art forms — tap and solo piano.

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A Formidable Foursome in ‘Forbidden Broadway: Merrily We Stole A Song’ 

Cast of ‘Forbidden Broadway’ at Emerson Colonial Theatre
Chris Collins-Pisano, Nicole Vanessa Ortiz, Jenny Lee Stern, John Wascavage

Forbidden Broadway: Merrily We Stole A Song by Creator, Writer, Director Gerard Alessandrini. Choreography by Gerry McIntyre. Graphics & Onstage Projection Design by Glenn Bassett. Costume Design by Dustin Cross. Hair & Wigs by Ian Joseph. At Emerson Colonial Theatre, 106 Boylston Street, Boston, February 8-9, 2025.

By Linda Chin

“Old farts” who may have seen the original Forbidden Broadway during its seven year run at the Park Plaza in the ‘80s and ‘90s, theatergoers of all ages – especially those of you who spell theatre with an -re instead of -er, and fans of the late composer and lyricist Stephen Sondheim were treated to an evening of belly laughs as the Emerson Colonial Theatre brought the newest version of the Forbidden Broadway franchise, Merrily We Stole a Song, for a limited run this past weekend.

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‘Life & Times of Michael K’ is ArtsEmerson’s Latest Must-See Marvel

‘Life & Times of Michael K’ at ArtsEmerson. Photos by Fiona McPherson

‘Life & Times of Michael K’ — Adapted and Directed by Lara Foot in collaboration with Handspring Puppet Company. Based on the book written by J.M Coetzee. Adaptors and Puppetry Direction by Basil J.R. Jones and Adrian P. Kohler. Puppetry Design by Adrian P. Kohler. A Baxter Theatre Centre and Düsseldorf Schauspielhaus Production. Presented by ArtsEmerson at the Emerson Paramount Center, Robert J. Orchard Stage, 559 Washington St., through February 9.

By Shelley A. Sackett

In substance, Life and Times of Michael K tells the extraordinary story of an ordinary man. Adapted from the 1983 Booker Prize winner, written by South African novelist J. M. Coetzee, it details the life of the eponymous Michael K and his ailing mother during a fictional civil war in South Africa.

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Sudbury Savoyards Delivers a Charming Fairy Tale with Gilbert and Sullivan’s ‘Ruddigore’

Cast of Sudbury Savoyards’ ‘Ruddigore’. Photos by Chris Pollari

Ruddigore’ – Written by W.S. Gilbert. Music by Arthur Sullivan. Directed by Briana Bensenouci. Music Directed by Aldo Fabrizi. Set Design by Laurel Martin, Brendon Chetwynd & Blair Eig. Costume Design by Sue Flint & Donna Roessler. Sound Design by Bill Lopoulos. Presented by the Sudbury Savoyards with all performances at Lincoln-Sudbury Regional High School, 390 Lincoln Road, Sudbury, MA 01776, through March 1, 2025.

By Judy Katzman

The lively and robust overture to Gilbert and Sullivan’s Ruddigore, performed by a nearly 30-piece orchestra, sets the spirited (pun intended) tone for Sudbury Savoyards’ grand production of this comedic operetta. Armed with all the elements of a fairy tale – heroes, villains, fair maidens, ghosts, and even a mad woman – Ruddigore tells the story of Sir Ruthven Murgatroyd (David Smyth), a baronet who flees to a seaside village in order to escape a curse placed on his family, one that requires him to commit one crime each day, or die an agonizing death. 

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In Burbage & WomensWork’s Production of ‘hang”, Expect to Hang on Every Word

Margaret Melozzi, MJ Daly, and Aaron Morris in Burbage Theatre Cos. ‘hang’

Burbage Theatre Co., in partnership with WomensWork Theatre Collaborative, present the Rhode Island premiere of ‘hang’ by debbie tucker green. Lynne Collinson, Director. Trevor Elliott, Set Design. Riley Nedder, Costume Design. At the Wendy Overly Studio Theatre, 59 Blackstone Avenue, Pawtucket, RI, through February 16, 2025.

By Linda Chin

It wasn’t long after I took my seat in the cozy and intimate Overly Studio Theatre that I began to suspect that an intriguing experience was in store.

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ASP’s ‘The Piano Lesson’ is a Supernatural Theatrical Experience

Jade Guerra, “ranney”, Jonathan Kitt and Omar Robinson in Actors’ Shakespeare Project’s production of August Wilson’s The Piano Lesson. Photos by Nile Scott Studios.

‘The Piano Lesson’ – Play by August Wilson. Directed by Christopher V. Edwards. Scenic Design by Jon Savage; Costume Design by Nia Safarr Banks; Lighting Design by Isaak Olson; Sound Design by James Cannon. Presented by Actors’ Shakespeare Project in partnership with Hibernian Hall. At Hibernian Hall, Boston, through Feb. 23.

By Mike Hoban

As the cold January winds send a chill through the streets of Boston and the change in the nation’s political climate sends shivers through the hearts of our most vulnerable, Actors Shakespeare Project has delivered a masterpiece of a production – just when we need it most. For the third straight year, ASP has staged a selection from August Wilson’s 10-play American Century Cycle about the Black experience in 20th Century America, and while the previous offerings (Seven Guitars in 2023 and King Hedley II last year) were both on my (and most reviewers) annual ‘Best Of’ lists, ASPs The Piano Lesson catapults Wilson’s work into the stratosphere.

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Malpaso Dance Company Brings Its Hot Fusion of Cuban Dance, Music, and Spice to Boston’s Winter Wonderland

Malpaso Dance Company. Photos by Robert Torres

Celebrity Series of Boston presents Malpaso Dance Company. Executive Director and Co-Founder Fernando Sáez. Artistic Director and Co-Founder Osnal Delgado. At the Robert J. Orchard Stage, Paramount Center, January 17-18.

By Shelley A. Sackett

With good reason, Malpaso Dance Company is one of Cuba’s most sought-after dance companies. Since its inception in 2012, the company of 11 dancers has served as global ambassadors of Cuban culture, heritage and artistry.

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Lyric Stage’s ‘Crumbs from the Table of Joy’ Has A Tale to Tell       

Cast of Lyric Stage’s ‘Crumbs From The Table Of Joy’. Photos: Mark S. Howard 
Thomika Marie Bridwell, Madison Margaret Clark, and Dominic Carter 

Crumbs from The Table Of Joy.’ Written by Lynn Nottage. Directed by Tasia A. Jones. Sound Design by Aubrey Dube. Costume Design by Mikayla Reid. Scenic Design by Cristina Todesco. Lighting Design by Eduardo Ramirez. Produced by Lyric Stage at 140 Clarendon Street, 2nd Floor, Boston, through February 2nd.

By Shelley A. Sackett

Luck

Sometimes a crumb falls
From the tables of joy,
Sometimes a bone
Is flung.

To some people
Love is given,
To others
Only heaven.

— Langston Hughes

James Mercer Langston Hughes, best known for his Harlem Renaissance Jazz Poetry, wrote “Luck” in 1947. The poem can be interpreted as a commentary on unfairness, deprivation, and the pursuit of love. It could also be read as a reminder of the injustices faced by Black Americans and other “have-nots’ who must bear witness to the overflowing bounty of the “haves” and hope they are in the right place at the right time to scoop up the discarded scraps.

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Flight 1619 Finally Lifts Off in SpeakEasy/Front Porch’s Ambitious ‘Ain’t No Mo’

Cast of SpeakEasy/Front Porch’s ‘Ain’t No Mo’ Photos: Nile Scott Studios
MaConnia Chesser, Kiera Prusmack, De’Lon Grant, Schanaya Barrows, and Dru Sky Berrian.

‘Ain’t No Mo’.’ Written by Jordan E. Cooper. Directed by Dawn M. Simmons. Co-produced by SpeakEasy Stage and Front Porch Arts Collective at the Calderwood Pavilion, 527 Tremont Street, through February 8.

By Shelley A. Sackett

Jordan E. Cooper’s Ain’t No Mo is a complicated, uneven, scathing, audacious, and hilarious rollercoaster ride of a play. It covers a lot of ground, and Cooper dips his pen into the inkwell of every genre known to playwrights: from satire, allegory, fiction, and parody to tragedy and Shakespeare-worthy soliloquy.

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