“YOU CAN’T TAKE IT WITH YOU” (Community Players, Pawtucket, RI)

Reviewed by Tony Annicone

 

The final show of Community Players 96th season is “You Can’t Take It With You”, a 1937 Pulitzer prize winning comedy by Moss Hart and George F. Kaufman. Meet the Sycamore family, a collection of lovable eccentric incompetents who keep a printing press in the parlor, manufacture fireworks in the basement, are friends with an Ex-Grand Duchess, and includes a grandfather who doesn’t believe in paying taxes. When daughter, Alice falls in love with straight laced Tony Kirby and invites his conservative, high society parents to dinner, she orders her family to ”ordinary up”, which means act like normal people. As with most things in this wacky family, things don’t go exactly as planned. The important message is to live in the here and now, live life to the fullest and do whatever makes you happy. Director Patricia Hawkridge casts this huge show wonderfully. It is a positive and light hearted show that is definitely needed in these trying times we are living through now.

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BLITHE SPIRIT (RISE Playhouse, Woonsocket, RI)

 

Reviewed by Tony Annicone

 

RISE’s current production is “Blithe Spirit”, a farce by Noel Coward. This show focuses around the paranormal experience of Charles Condomine, a novelist and socialite of Kent, England. In search of inspiration for his new novel, Charles hires an eccentric medium for research purposes, and ends up in contact with the spirit of his first wife, Elvira, who makes her presence well known, much to the consternation of his second wife, Ruth. Add their doctor, his wife and a dippy, half-witted maid to the ingredients of this farce. At the time Coward wrote this play in 1941, England was in the grip of World War 2, and death was not a humorous topic.

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THE MUSIC MAN (Theatre by the Sea, Matunuck, RI)

Reviewed by Tony Annicone

 

Bill Hanney’s Theatre by the Sea’s second show of their 84th season is “The Music Man” by Meredith Willson. This musical first opened on Broadway on December 19, 1957 and ran for 1375 performances. Robert Preston played the leading role of Harold Hill both onstage and in the 1962 film version. The show is set in Iowa in 1912 and is the story of the fast talking Harold Hill who cons the good citizens of River City into buying musical instruments and band uniforms by promising to create a boy’s band in the town.

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THE PIRATES OF PENZANCE (The Wilbury Group, Providence, RI)

 

Reviewed by Tony Annicone

 

The Wilbury Group’s closing show of their season is “The Pirates of Penzance” by Gilbert and Sullivan wildly adapted by Sean Graney and Kevin O’Donnell. The show first opened on December 31, 1879 but this version is a fresh take on their most popular comic opera. This subversive, loopy, and fantastically eccentric take on Gilbert and Sullivan’s preposterous musical took audiences in Chicago by storm when presented by rebel theatre makers The Hipocrites.

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THE MYSTERY OF EDWIN DROOD (The Players, Barker Playhouse, Providence, RI)

 

Reviewed by Tony Annicone

 

The Players last show of their 109th season is “The Mystery of Edwin Drood”, the musical mystery by Rupert Holmes based on Charles Dickens unfinished novel. It gives the audience a chance to solve the mystery because author Charles Dickens passed away before he could finish the novel. He suffered a fatal stroke on June 8, 1870 and died the next day after finishing Chapter 22 of the novel. The show opened on Broadway on December 2, 1985 and ran for 603 performances, winning 3 Tony Awards for Rupert Holmes. This musical will remind you of “My Fair Lady”, “Sweeney Todd” and “Phantom of the Opera” with its score. In Holmes version the audience decides the ending to the show, who killed Drood or is Drood really dead? “Drood” is a play within a play about an acting troupe from the Music Hall Royale. The darker side of the plot involves the “disappearance” of a young architect, Edwin Drood after a Christmas Eve night of festivities. He has been promised to Rosa Bud, a voice student of his obsessed uncle, John Jasper. The audience meets several unsavory characters during the proceedings. The energetic and talented cast under the direction of Joan Dillenback and musical direction of Joe Carvalho as well as the incredible and dynamic choreography of Michael Maio win appreciative and thunderous applause at the close of the show. You must also try to solve the whodunnit aspect of this musical with a clever twist.

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BEAUTY AND THE BEAST (Stadium Theatre, Woonsocket, RI)

 

Reviewed by Tony Annicone

 

Shining Light’s spring production this year is “Beauty and the Beast” by Disney. The musical first opened on Broadway on April 19, 1994 and ran for 5,464 performances, closing on July 29, 2007. It is based on the 1991 animated Disney movie, the show tells of a spell cast on a Prince which transformed him into a ferocious beast. He must love and be loved before the final petal falls from the rose or he will be a beast forever. Into his life comes beautiful, bookish Belle. They must learn to love each other after he makes her a prisoner in his desolate castle. Belle could melt the ice and even his heart but will she be able to see through his facade in time? Throw in many colorful characters including her inventor father, Maurice, the town strongman, Gaston, his crazy sidekick, Lefou and the numerous enchanted humans turned into household fixtures at the Beast’s castle and you have the makings for this sensational musical presentation. Director Mike Landry, musical director Alex Tirrell and choreographer Matthew Parello cast this show excellently, winning these hard working performers a resounding standing ovation at the end of the night.

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PROOF (Renaissance City Theatre, Westerly, RI)

PROOF

Reviewed by Tony Annicone

 

The second show of the 18th season for Renaissance City Theatre Inc., the producing entity for the Granite Theatre is the Tony Award and Pulitzer Prize winning “Proof” by David Auburn. The show opened on Broadway on October 24, 2000 and ran for 917 performances. The movie version starring Anthony Hopkins and Gwenyth Paltrow opened in September, 2005. “Proof” can be described as a mystery, a romantic comedy and an exploration of mental illness. The play centers around an enigmatic young woman, Catherine, on the eve of her 25th birthday. She has been overshadowed by her brilliant mathematician father, Robert, who has been mentally ill for years, and of whom she has cared for. After his sudden death, Catherine must come to terms with following in her father’s footsteps, and with the fear that she might have inherited his illness.

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ROSENCRANTZ & GUILDENSTERN ARE DEAD (Contemporary Theater Company, Wakefield, RI)

Reviewed by Tony Annicone

 

Contemporary Theater Company’s current show is “Rosencrantz & Guildenstern Are Dead” by Tom Stoppard. This play expands on the exploits of two minor characters from “Hamlet” by William Shakespeare. Written in 1967, the title characters are the leads and Hamlet, himself has a smaller part. The two characters are brought into being within the puzzling universe of this play, by an act of the playwright’s creation, and those they encounter, often confuse their names, as they have interchangeable yet periodically unique identities. Rosencrantz and Guildenstern are portrayed as two clowns, two fools who are in a world beyond their understanding. They can’t identify any reliable feature of the significance in words or events because their own memories are unreliable or incomplete. They misunderstand each other constantly as they stumble through their philosophical arguments where they often state deep truths during their nonsensical ramblings. However, they depart from these ideas as quickly as they come to them and at times one appears more intelligent than the other but this position is changed back and forth during the show. After they witness a performance of “Murder of Gonzago”, they take a boat trip to England with the Player and her acting troupe where they are ambushed by pirates, lose their prisoner, Hamlet and eventually resign themselves to their fate. Director Chris Simpson infuses his cast with high energy and elicits some comic and bawdy performances that enthrall the audience all night long.

He blocks the show wonderfully and keeps the show in constant motion with topnotch pacing. Chris makes the show understandable to the audience. Costume designer Lydia Troiano supplies the cast with some gorgeous period costumes. Delivering tremendous performances are Rebecca Magnotta as Rosencrantz and Laura Kennedy as Guildenstern who are onstage almost the whole time during this three act play. They bring the characters to life with strong line delivery with Laura as the more astute character while Rebecca’s character is more emotional and less on the ball intellectually. The shtick that Chris gives them is brilliantly performed especially funny is when Rebecca removes her belt to stop Hamlet from passing by but instead constantly has her pants around her ankles, winning much laughter from the crowd and one of Laura’s comic bits is when she stabs the leading Player with comic results ensuing. They have splendid onstage chemistry together.

 

The other lead is Valerie Tarantino as the Player. She shows comic timing and wonderful delivery of her lines. Is the Player just funny or is there something more crafty and sinister behind the comic antics? The powerful delivery and funny antics at running hither and yon with the acting troupe performing death scenes over and over again with hilarious results. Other talented performers, Caroline Morey, Sami Avigdor, Neal Leaheey, Ashley Macamaux and Sean Marran are the Tragedians while Tammy Brown plays the moody, Hamlet while Nancy Winokoor plays Gertrude, his long suffering mother. Andrew Stigler plays the crafty, Claudius while Kelly Robertson plays the ethereal, Ophelia Ryan Sekac plays the skeptical, Polonius. So for a wonderful rendition of Stoppard’s absurdist, existentialist play, be sure to catch “Rosencrantz & Guildenstern Are Dead” at Contemporary Theater Company before time runs out. You will laugh heartily at the antics of this excellent cast.

ROSENCRANTZ & GUILDENSTERN ARE DEAD (27 April to 19 May)

Contemporary Theater Company, 327 Main Street, Wakefield, RI

1(401)218-0282 or www.contemporarytheatercompany.com

13 RUE DE L’AMOUR (The Arctic Playhouse, West Warwick, RI)

 

Reviewed by Tony Annicone

 

The Arctic Playhouse’s current show is “13 Rue de L’Amour” by Georges Feydeau. It was written in 1892 and translated by Mawby Green and Ed Feilbert. It is about locked doors, sexual innuendoes, mistaken identity, clothes switching owners and lying continually about the circumstances in turn of the century, Paris. Justinien is a seemingly blameless husband who periodically leaves his wife Leontine to go on hunting trips. Family friend Gustave, a doctor and man about town, has his suspicions about what Justinien is really hunting. He tries to use his suspicions as a way to get Leontine to visit his bachelor pad on 13 Rue De L’Amour. The confusions begin mounting as Justinien’s young nephew, Jean-Pierre who is still a student, needs money from his uncle to entertain his own mistress; the uncle’s friend Birabeau confesses doubts about his own unseen wife; and several of the men seem to be wearing identical pants while this is going on. Add a love starved female German concierge who was a countess, at the bachelor apartment and a befuddled police inspector to the proceedings and you have the ingredients of a funny French farce to tickle your funny bone. Director Christian O’Brien infuses his cast with madcap shtick to leave you laughing in the aisles.

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DIAL M FOR MURDER (Renaissance Theatre Company Inc, Granite Theatre, Westerly, RI

 

Reviewed by Tony Annicone

 

Renaissance Theatre Company Inc, the producing entity for the Granite Theatre’s opening show of their 18th season is an intense and gripping “Dial M For Murder” by Frederick Knott. Originally written for the stage, this gripping, edge of your seat drama was later made famous by the master of suspense, Alfred Hitchcock, who turned it into a cinematic masterpiece. The plot revolves around former tennis player Tony Wendice, who married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. He blackmails a scoundrel he used to know, into killing her for a fee and arranges the perfect alibi for himself. Unfortunately the murderer gets murdered and the victim survives. But this doesn’t stop the husband who sees his hireling’s death as an opportunity to have his wife convicted for the murder of the man who tried to murder her. With a killer dead and a victim in jail, will the police inspector discover the truth? Will the husband be found out? This murder thriller will keep you spellbound with suspense. Director Brian Olsen casts this psychological thriller excellently, keeping the audience enthralled all night long.

 

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