Lyric’s ‘Murder on the Orient Express’ Mashes Up Agatha Christie, ‘The Maltese Falcon’ and the Marx Brothers

(Cast of Lyric Stage’s ‘Agatha Christie’s Murder on the Orient Express’ – Photo by Mark S. Howard)

by Michael Cox

‘Agatha Christie’s Murder on the Orient Express’ – Adapted by Ken Ludwig. Directed by Spiro Veloudos. Scenic Design, Brynna Bloomfield; Costume Design, Gail Astrid Buckley; Lighting Design, Scott Clyve; Sound Design and Original Music, Dewey Dellay; Projection Design, Seaghan McKay. Presented by the Lyric Stage Company, 140 Clarendon Street, Boston, MA, through December 22.

In 1934, when “Murder on the Orient Express” was first published as a novel, this country was looking for a way out – a way out of the joblessness, poverty and the endless ache of day-to-day existence. The economic agony that the United States felt quickly spread to Europe and around the world. And it certainly hit Great Britain, where Agatha Christie’s prolific career as a mystery writer was well underway. Christie had an astounding career. According to her estate, she is the world’s most published English novelist, and only those who have read Shakespeare and the Holy Bible (King James) outnumber her readership. A key ingredient to Christie’s success is the escapism she provides. So it should come as no surprise that the era of “The Great Depression” is one of Christie’s most critically successful periods. This is interesting because although the characters in the “Murder on the Orient Express” are plagued by a variety of dramatic problems – kidnapping, extortion, death threats, suicide, and of course, murder – there is one thing that never troubles them. Money.

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Darkly Comic ‘Little Shop of Horrors’ Rocks the Lyric Stage

(Katrina Z Pavao, Dan Prior, and Audrey II in ‘Little Shop of Horror’ at the Lyric Stage Company – Photos by Mark S. Howard)

‘Little Shop of Horrors’ – Book and Lyrics by Howard Ashman; Music by Alan Menken; Directed and Choreographed by Rachel Bertone; Music Direction by Dan Rodriguez. Scenic Design by Janie E. Howland; Costume Design by Marian Bertone; Sound Design by AndrewDuncan Will; Lighting Design by Frank Meissner, Jr.; Puppet Design by Cameron McEachern. Presented by the Lyric Stage Company of Boston at 140 Clarendon St, Boston through October 6th.

By Mike Hoban

The promotional materials in the press kit for the Lyric Stage’s 45th season promise “Music, Mystery, Murder & Mirth”, and with their stellar opening production of Little Shop of Horrors, the theater company makes good on all counts right out of the gate. Directed by multiple IRNE winner Rachel Bertone and performed by a first-rate cast, the revival of this 1980’s horror/comedy delivers not only as a musical, but as a legitimately funny comedy as well. From its opening 60’s girl group title number to it’s wacked out sci-fi conclusion, Little Shop is a rollicking blast.

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Lyric Stage Invites ‘Round ‘The Little Foxes’

“Little Foxes” (Photos by Mark S. Howard)



Review by James Wilkinson

The Little Foxes – Written by Lillian Hellman. Directed by Scott Edmiston. Assistant Director: Kate Franklin. Scenic Design: Janie E. Howland. Costume Design: Gail Astrid Buckley. Lighting Design: Karen Perlow. Sound Design/Original Music: Dewey Dellay. Fight Director: Jesse Hinson. Presented by Lyric Stage Company at 140 Clarendon St. Boston through March 17

At the first intermission of Lyric Stage Company’s production of The Little Foxes the woman next to me bumped into my leg as she got up from her seat. “I’m so sorry” she said, looking a little unsteady on her feet. “It’s just that it’s so visceral.” I smiled and nodded because I’m the kind of person who likes to play my cards very close to the chest. I also try to reserve judgement until I’ve taken the whole thing in, but I knew what the woman meant. So much of Lyric’s production aims to overpower you and I think that on a technical level, there’s no question that it achieves that goal. It’s a solid piece of work, put together in a way that makes you want to stand back and admire the craft at work. The play is Lillian Hellman’s best-known and has (I think) rightfully earned its place not just as a classic but as a uniquely American classic. It’s the play’s American spirit that I think the Lyric’s production is trying to tap into.

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LYRIC’S ‘THE WOLVES’ A TITLE IX WINNER

by Linda Chin

THE WOLVES – Written by Sarah DeLappe. Directed by A. Nora Long; Scenic Design by Shelley Barish; Costume Design by Amanda Mujica; Sound Design by Elizabeth Cahill; Lighting Design by Karen Perlow. Cast: Lydia Barnett-Mulligan, Sarah Elizabeth Bedard, Simone Black, Olivia Z. Cote, Chelsea Evered, Grace Experience, Laura Latreille, Julia Lennon, Valerie Terranova, Jarielle Whitney. Presented by Lyric Stage Company ay 40 Clarendon St., Boston through February 3

2017 Pulitzer finalist Sarah DeLappe titled her impressive debut play The Wolves after the story’s subject, a soccer team of sixteen and seventeen-year old young women. Nine actors play the team members, identified to the audience and each other during the five weeks the action takes place by their jersey numbers. Not until the last scene do we hear a series of girls’ names, and connect that player #7 is Alex and #14 is Megan. Out of earshot of adults, the Wolves freely discuss a range of mature topics – abortion, pads vs. tampons, eating disorders, Mexican children locked in cages, and various adult figures – parents, coaches, and Cambodian genocide leader Pol Pot with a familiar vernacular (#11: “but it’s like he’s old”; #25: “he murdered thousands of people”). Not until close to the end of the play does the tenth and only adult cast member (Soccer mom) appear, and not surprisingly the group dynamic and flow of the conversation changes with her presence.

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Lyric’s ‘Roadshow’ Showcases Lesser Known Sondheim Work

 

by Mike Hoban

 

Music and lyrics by Stephen Sondheim; Book by John Weidman; Co-Directed by Spiro Veloudos and Ilyse Robbins; Music Direction by Jonathan Goldberg; Choreography by Ilyse Robbins; Scenic Design by Cristina Todesco; Lighting Design by John R. Malinowski; Sound Design by Elizabeth Cahill; Costume Design by Amanda Mujica. Presented by The Lyric stage Company of Boston, 40 Clarendon St., Boston through February 11

 

Watching Steven Sondheim’s Roadshow is a lot like listening to Magical Mystery Tour or Yellow Submarine by the Beatles. You know it’s not in the same league as say, Sgt. Pepper’s Lonely Hearts Club Band or Abbey Road, but there’s certainly enough good material there to warrant a listen. Such is the case with Roadshow, now being presented by the Lyric Stage Company. It’s no Into the Woods or A Little Night Music, but much like the lesser Beatles works, there are the flashes of brilliance that one would expect from any Sondheim musical.

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