The Parallel Universe of “Joy and Pandemic”

May 6, 2023May 8, 2023 michaelhobanLeave a comment

Stacy Fischer, Breezy Leigh, and Ryan Winkles in “Joy and Pandemic” at the Huntington.
Photos by T Charles Erickson

“Joy and Pandemic” by Taylor Mac. Directed by Loretta Greco. Scenic Design: Arnulfo Maldonado; Sound Designer and Composer: Fan Zhang; Costume Design: Sarita Fellows; Lighting Design: Jen Schriever. Presented by The Huntington, Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through May 21.

by Michele Markarian

Joy (Stacy Fischer) and her unenthusiastic second husband, Bradford (Ryan Winkles), are running an art school for children in Philadelphia, a venture which Bradford’s mother, Rosemary (the magnificent Marceline Hugot), disapproves of. Joy’s daughter Pilly (Ella Dershowitz) is Joy’s biggest fan. The annoyingly sunny Joy is a Christian Scientist who peppers her conversations with phrases like, “All we need is an invitation to see things differently” and “fear is a lie that we tell ourselves” while insisting that everything and all beings are “perfect.” In a bit of foreshadowing in response to some clanging chimes Joy has over her front door, Rosemary snarls, “Must optimism always be so piercing?” With a visit from Melanie (Breezy Leigh), the staccato-voiced black mother of Marjory, one of Joy’s prized students, Joy is about to find out how imperfect she is.

At Clyde’s Roadside Café, the Sandwich Rules the Roost

April 3, 2023 michaelhobanLeave a comment

Louis Reyes McWilliams, Harold Surratt, April Nixon in ‘Clyde’s’ at The Huntington. Photo Credits: Kevin Berne

‘Clyde’s’ – Written by Lynn Nottage. Directed by Taylor Reynolds; Scenic Designer – Wilson Chin; Costume Designer – Karen Perry; Lighting Designer – Amith Chandrashaker; Sound Designer – Aubrey Dube; Hair, Wig and Makeup Designer – Megan Ellis. Presented by The Huntington in co-production with Berkley Repertory Theatre at The Huntington, 264 Huntington Ave., Boston through April 23.

By Shelley A. Sackett

Two-time Pulitzer Prize-winning playwright Lynn Nottage has elevated that plebian lunch item — the sandwich — to A-list, Michelin star status in her Tony Award-nominated comedy, ‘Clyde’s,’ now in production at the Huntington through April 23.

Through her skilled script, imaginary recipes combining exotic and surprising ingredients will have the audience trying to remember them after the curtain falls. Glowing in its exalted status as metaphor for salvation, redemption and even tikkun olam (a Jewish concept defined by acts of kindness performed to perfect or repair the world), we will never think of the sandwich as “mere” again.

A Tree Grows in Boston and Bears Fruit: K-I-S-S-I-N-G at the Huntington

March 19, 2023 michaelhobanLeave a comment

Ivan Cecil Walks, Sharmarke Yusuf, and Regan Sims in The Huntington’s production
of K-I-S-S-I-N-G. Photos by T Charles Erickson

‘K-I-S-S-I-N-G’ – Written by Lenelle Moïse. Directed by Dawn M. Simmons. Scenic Design by Jason Ardizzone-West. Costume Design by Dominique Fawn Hill. Lighting Design by Jorge Arroyo. Sound Design by Anna Drummond. Projections Design by Yee Eun Nam and Hannah Tran. Co-produced by the Front Porch Arts Collective and the Huntington Theatre Company at the Calderwood Pavilion at the BCA, Boston through April 2, 2023.

by Linda Chin

The coming-of-age play now making its world premiere at Boston’s Calderwood Pavilion did not come into being from a hurried hook-up, nor inexperienced young people sitting in a tree, K-I-S-S-I-N-G. A decade in the making, Lenelle Moïse wrote early drafts during her 2012-2014 Huntington Playwrighting Fellowship, and its development history went something like the titular schoolyard rhyme: First came love – in the form of a commission by Clark University, staged readings at the New Rep and Huntington in 2015 and 2016, and an educational production at Ithaca College (2018). Then came ‘marriage’ – a three-year strategic partnership between Front Porch Arts Collective and the Huntington that started in the fall of 2021, connected Moïse and Porch’s Co-Producing Artistic Directors Maurice Emmanuel Parent and Dawn M. Simmons and catalyzed the companies’ first co-production. A tree growing in Boston has blossomed and borne the loveliest, sweetest fruit. Welcome to the world, K-I-S-S-I-N-G.

The Huntington’s ‘The Art of Burning’ Smolders and Sparks

February 6, 2023February 6, 2023 michaelhobanLeave a comment

Adrianne Krstansky, Michael Kaye and Rom Barkhordar in The Huntington’s ‘Art of Burning’
Photo Credit: T Charles Erickson

“The Art of Burning” by Kate Snodgrass. Directed by Melia Bensussen. Scenic Design: Luciana Stecconi; Lighting Design: Aja M. Jackson; Sound Design: Jane Shaw; Costume Design: Kate Harmon. Presented by The Huntington, Calderwood Pavilion at the BCA, 527 Tremont Street, Boston through February 12.

by Shelley A. Sackett

Patricia (Adrianne Krstansky), a frumpy middle-aged painter, opens Kate Snodgrass’ ‘The Art of Burning’ mid-conversation with her friend Charlene (Laura Latreille). “Sometimes we have to kill the things we love to save them,” she announces seemingly out of the blue. Charlene adds critical context. The two have just seen a production of “Medea” and are debriefing outside the theater.

In the ancient Greek tragedy by Euripides, Medea takes vengeance on her unfaithful husband Jason by murdering his new younger wife as well as her own two sons, after which she escapes to Athens to start a new life. To Charlene’s discomfort, Patricia not only sympathizes with Medea, she praises her.

“She saves her children,” Patricia explains. “She doesn’t want to but she has to. The world will make their lives miserable and she doesn’t want that. She loves them.” Patricia may look mousey, but she is a mouse that roars.

Hell Hath No Fury in “The Art of Burning”

January 31, 2023February 1, 2023 michaelhobanLeave a comment

Adrianne Krstansky, Michael Kaye, and Rom Barkhordar in “The Art of Burning” at The Huntington Photos by T Charles Erickson

“The Art of Burning” by Kate Snodgrass. Directed by Melia Bensussen. Costume Design: Kate Harmon Lighting Design: Aja M. Jackson Scenic Design: Luciana Stecconi Sound Design: Jane Shaw. Presented by The Huntington, Calderwood Pavilion at the BCA, 527 Tremont Street, Boston through February 12.

by Michele Markarian

Patricia (Adrianne Krstansky) is a scary, angry, off-kilter painter. Her husband, Jason (Rom Barkhordar) has left her for his younger colleague, Katya (Vivia Font), and the two of them are duking it out for custody of their fifteen year old daughter, Beth (Clio Contogenis). Their family friend Mark (Michael Kaye) is acting as their mediator at Jason’s insistence, a fact that Patricia doesn’t appreciate. When Mark’s wife, Charlene (Laura Latreille) relays the story of a “friend” who’s having an affair, Patricia’s self-righteous and judgmental attitude about people who have affairs is alienating. Patricia is on a collision course, unhinged by the infidelity of Jason.

A Magnificent ‘Joe Turner’s Come and Gone’ Heralds the Huntington’s Jubilant Homecoming

October 25, 2022October 26, 2022 michaelhobanLeave a comment

Patrese D. McClain and James Ricardo Milord (foreground) and cast in ‘Joe Turner’s Come and Gone’ at The Huntington.

‘August Wilson’s Joe Turner’s Come and Gone’ by August Wilson. Directed by Lili-Anne Brown; Arnel Sancianco, Scenic Design; Samantha C. Jones, Costume Design; Jason Lynch, Lighting Design; Aubrey Dube, Sound Design. Presented by The Huntington Theatre through November 13.

by Shelley A. Sackett

What a pleasure it is to have the Huntington Theatre Company back. With its sleek Narragansett Green walls, gold domed ceiling and cherry red extra legroom seats, an always pleasurable theatrical experience is now also one full of creature comforts. Even more stunning, however, is the magnificent production of August Wilson’s Joe Turner’s Come and Gone, with which the Huntington christened its reopening. If Joe Turner’s footprints lingered long after he had gone, it’s because Wilson’s unforgettable presence (and titular title as the Huntington’s creative patron saint) enveloped the stage.

The Huntington’s ‘Common Ground Revisited’ Asks Bostonians to Stop Blaming Racism on the Rest of the Country and To Look Within Their Own House

June 20, 2022 michaelhobanLeave a comment

The cast of *Common Ground Revisited* at The Huntington. Maurice Emmanuel Parent in foreground Photos: T Charles Erickson

by Michael Cox

Common Ground, Revisited – Co-conceived and adapted by Kirsten Greenidge; co-conceived and directed by Melia Bensussen; set design by Sara Brown; costume design by An-lin Dauber; lighting design by Brian J. Lilienthal; sound design by Pornchanok Kanchanabanca; projection design by Rasean Davonté Johnson; wig/hair and makeup design by J. Jared Janas; dramaturgy by Neema Avashia; stage-managed by Emily F. McMullen. Co-produced by The Huntington Theatre and ArtsEmerson at the Calderwood Pavilion/BCA through July 3, 2022.

When a group of people have no voice in the conversation, they interrupt. They make their voices heard through disruption. Colonial Boston did this back in 1765 when we enacted the first public act of defiance against the King of England and rioted in the streets, and we continued the tradition in the 1970s when U.S. District Judge Arthur Garrity Jr. ordered Boston to implement race-integrated busing.

In Common Ground, Revisited, The Huntington Theatre Company looks at the non-fiction book Common Ground: A Turbulent Decade in the Lives of Three American Families, a Pulitzer Prize-winner which in many ways has come to define this city – because it disrupted us. It asked us to look in the mirror and examine – in microscopic detail – our racism.

Huntington’s ‘Common Ground, Revisited’ Asks Us to Look Back In Order to Move Forward

June 13, 2022 michaelhobanLeave a comment

The cast of *Common Ground Revisited* at The Huntington. Photos: T Charles Erickson

by Julie-Anne Whitney

Kirsten Greenidge’s new play, Common Ground, Revisited is inspired by and based in part on J. Anthony Lukas’1986 Pulitzer Prize-winning non-fiction book, Common Ground: A Turbulent Decade in the Lives of Three American Families. The primary focus of both texts is on class and racial tensions in Boston during the 1974 busing crisis when U.S. District Judge Arthur Garrity Jr. ordered nearly 20,000 Black and white students to be bused to/from the city’s geographically segregated public schools. The mandate led to years of violent protesting, significant demographic changes in the city and surrounding suburbs, and a dramatic decrease in enrollment in area schools that continues to this day. Fifty years after the 1972 Morgan v Hennigan case that led to Garrity’s ruling, Boston’s public schools are even more divided than they were back then with “two-thirds of BPS students attend[ing] intensely segregated schools where students of color make up 90% or more of the total enrollment.”

In Huntington’s ‘Our Daughters, Like Pillars’, Family Comes First – at a Price

April 23, 2022April 23, 2022 michaelhobanLeave a comment

Lyndsay Allyn Cox, Arie Thompson and Nikkole Salter in “Our Daughters, Like Pillars” at the Huntington (Photos by T Charles Erickson)

‘Our Daughters, Like Pillars’ – Written by Kirsten Greenidge; directed by Kimberly Senior; set design by Marion Williams; costume design by Sarita Fellows; lighting design by Mary Louise Geiger; sound design and original music by Jane Shaw; wig/hair and makeup design by Tommy Kurzman; stage managed by Kevin Schlagle. Produced by The Huntington Theatre at the Calderwood Pavilion/BCA through May 8, 2022.

by Julieanne Whitney

Our Daughters, Like Pillars is a story about complex family dynamics and the struggle to break free from the roles we are forced into playing within the family unit. Kirsten Greenidge’s new play focuses on a Black family at the center of which are three sisters doing what they can (or must) to hold themselves and each other together.

Family Matters in Huntington’s “Our Daughters Like Pillars”

April 22, 2022April 22, 2022 michaelhobanLeave a comment

by Michele Markarian

“Our Daughters Like Pillars” – Written by Kirsten Greenidge. Directed by Kimberly Senior. Presented by The Huntington, Calderwood Pavilion at the BCA, 527 Tremont Street, Boston through May 8.

Lavinia Shaw Williams (Nikkole Salter), the oldest sister of a Black family, has organized a week-long stay at an Airbnb in North Conway, New Hampshire, for siblings Octavia (Arie Thompson) and Zelda (Lyndsay Allyn Cox). Their mother, Yvonne (Lizan Mitchell) is there as well; she has been living with Lavinia and Lavinia’s husband, Morris (Postell Pringle). What appears to be a mere vacation is actually part of a larger plan that Lavinia – or Vinny as she’s called – has for her family; to live together forever under one roof. What Vinny hasn’t counted on is Zelda’s arrival with her new self-sustaining tiny house and new boyfriend, Paul (Julian Parker), as well as the arrival of their negligent father’s second wife, Missy Shaw (Cheryl D. Singleton). Family, with all of its flaws, betrayals, loyalties and secrets, are at the heart of the play.