What the World Needs Now is Ogunquit’s ‘My Best Friend’s Wedding’

Cast of Ogunquit’s ‘My Best Friend’s Wedding’. Photos by Nile Scott Studios

‘My Best Friend’s Wedding.’ – Based on the TriStar Pictures Film. Book by Ron Bass and Jonathan Harvey. Music & Lyrics by Burt Bacharach and Hal David. Directed and Choreographed by Kathleen Marshall. Music Direction by Andrew David Sotomayor. Scenic & Costume Design by Colin Richmond. Lighting Design by Rich Latta. Sound Design by Kevin Heard. Wig/Hair & Makeup Design by Roxanne De Luna. At Ogunquit Playhouse, Ogunquit ME through October 27th.

By Linda Chin

Don’t know what to do with yourself on Wednesdays through Sundays in October? After you wake up, put on your makeup, and say a little prayer, grab a good friend, bestie, or if you have a gay best friend – and head up the great big freeway (I-95) to the Ogunquit Playhouse to see the world premiere of the new rom-com musical My Best Friend’s Wedding.

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Moonbox’ “Dirty Rotten Scoundrels”  a Delightful Romp On the French Riviera

Matthew Zahnzinger and Julius P. Williams in Moonbox Production’s “Dirty Rotten Scoundrels”
Photos by Molly Shoemaker

by Michele Markarian

“Dirty Rotten Scoundrels”. Music and Lyrics by David Yazbek. Book by Jeffrey Lane. Directed by Allison Olivia Choat. Presented by Moonbox Productions, One Arrow Street, Cambridge, through Oct. 20.

There’s a lot to love – and a ton of talent – in Moonbox Productions’ “Dirty Rotten Scoundrels,” a musical tale of three con artists looking to grift off of the well-to-do in the fictional town of Beaumont sur Mer on the French Riviera. Based on the 1988 film with Steve Martin, Michael Caine and Glenne Hedley (actually a remake of a film from 1964 called “Bedtime Story”), “Dirty Rotten Scoundrels” was made into a Broadway musical that opened in 2005 and starred John Lithgow, Norbert Leo Butz and Sherie Rene Scott. Having enjoyed the 1988 film and the Broadway musical, I went to see the Moonbox production with high expectations. With strong direction, an excellent cast, and a wonderful ensemble of singers and dancers,  it did not disappoint.

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Strong Performances Lift Umbrella Arts’ Ambitious ‘Network’

Bill Mootos as Howard Beale in Umbrella Arts’ ‘Network’. Photos by Jim Sabitus

‘Network’ – Based on the screenplay by Paddy Chayefsky. Adapted for the Stage by Lee Hall. Directed by Ashley Kelly Tata. Scenic Designer, Afsoon Pajoufar; Lighting & Projections Designer, Seif Allah Salotto-Cristobal; Audio Designer, Aubrey Dube; Costume Designer, Nancy Leary. Presented by Umbrella Arts Center, Main Stage Theater40 Stow St, Concord, MA, through November 3

by Mike Hoban

It’s always a challenge to bring an iconic movie to the stage, even more so when its signature line, “I’m as mad as hell, and I’m not going to take it anymore!” is one of the most recognizable in film history (#19 on the list of America’s Greatest Movie Quotes according to the American Film Institute). It’s also a lot of pressure to put on an actor, but as the network news anchor turned crazed prophet Howard Beale, Bill Mootos delivers, and he does so without mimicking the brilliantly maniacal performance of Peter Finch (who played Beale in the film). Instead, his portrayal of Beale is more of a world-weary “grand old man of the news” gone mad, and it works beautifully – without losing any of the intensity of the character.

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