Ogunquit’s ‘Nutty Professor’ Updates Original Jerry Lewis Film into Madcap Musical

Cast of ‘The Nutty Professor’ at Ogunquit Playhouse. Photo by Nile Hawver, Nile Scott Studios
 

The Nutty ProfessorBased on the 1963 movie of the same name. Book & Lyrics by Rupert Holmes; Composed by Marvin Hamlisch; Direction by Marc Bruni; Music Direction by Matt Deitchman; Choreography by JoAnn M Hunter; Scenic Design by Wilson Chin and Riw Rakkulchon; Lighting Design by Cory Pattak; Costume Design by Mara Blumenfeld; Sound Design by Kevin Heard: Wig Design by Roxanne De Luna. Presented at Ogunquit Playhouse,10 Main Street, Ogunquit, ME through August 1st.

By Linda Chin

With its production of The Nutty Professor, the story of a socially awkward chemist who creates a special serum to transform him into a confident crooner, Ogunquit Playhouse demonstrates that it holds the magic formula for a fun-filled, thoroughly entertaining musical evening:  Take the original book and lyrics by Rupert Holmes based on the beloved 1963 Jerry Lewis motion picture, add a score by the late Marvin Hamlisch and choreography by JoAnn M. Hunter, hire fabulous designers, and combine with a talented cast of five featured principals, 13 ensemble members, and 2 swings. Mix thoroughly, share with an enthusiastic audience, and enjoy.

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Weston Drama Workshop’s Incandescent ‘Indecent’ Illuminates the Power of Theatre

Cast of ‘Indecent’ at the Weston Drama Workshop. Photos by ASA Photographic

Indecent by Paula Vogel . Direction by Stephanie Manning, Music Direction by Dan Rodriguez, Choreography by Kira Troilo, Costume Design by Laura Villalobos, Lighting and Projection Design by Kyle Stamm, Scenic Design by Nick Oberstein, Properties Design by Anika Reichelt. Presented by the Weston Drama Workshop, 235 Wellesley St, Weston, through July 30

By Linda Chin

For its “Renaissance” Season 60, the well-regarded  Weston Drama Workshop re-emerges (after offering modified programming in 2020 and 2021) in summer 2022 with an ambitious six-show lineup that includes the musicals Something Rotten!, Tuck Everlasting and Young Frankenstein and the plays Six Characters, Gooney Bird Greene and Her True Life Adventures, and Indecent.

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Hub Theatre Company Serves Up Hearty Comic Fare with ‘Slow Food’

Jyoti Daniere, Victor Shopov and Steve Auger in Hub Theatre Company’s ‘Slow Food’

by Mike Hoban

Slow Food – Written by Wendy MacLeod; Directed by Daniel Bourque. Presented by Hub Theatre Company of Boston at Club Café, 209 Columbus Ave. in Boston through July 30.

As anyone who has had to endure what seems like an interminably long time for wait staff to bring food and drink knows, that feeling of utter helplessness can be truly maddening – especially if you’re already famished. That’s the basic setup for Slow Food, the first live offering from The Hub Theatre Company since the pandemic, but playwright Wendy MacLeod puts the all-too-familiar scenario on steroids to great comic effect. Fittingly presented in the air-conditioned comfort of the cabaret space at Club Café in Boston (complete with dining tables and food service), the play serves up a banquet of laughs out of the identifiable situation.

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‘Marry Me A Little’ a String of Sondheim Pearls at Wellfleet Harbor Actors Theatre

Brittany Rolfs as Woman, Sam Perwin as Man in ‘Marry Me a Little’ at Wellfleet Harbor Actors Theatre

Music & Lyrics by Stephen Sondheim; Conceived by Craig Lucas & Norman René; Directed by Christopher Ostrom; Musical direction by Kevin Quill; Scenic Design by Christopher Ostrom; Costume Design by Rachel Padula-Shufelt; Lighting Design by Patricia M. Nichols; Sound Design by Sam Sewell. Presented by Wellfleet Harbor Actors Theatre through July 24


by Linda Chin

In the small, artsy seaside town of Wellfleet on the Outer Cape, home to galleries, studios, and oysters galore, a pearl of a production is currently playing at Wellfleet Harbor Actors Theater. Last summer’s Shipwrecked!, performed on a wooden ship with billowy sails built on an outdoor stage in their parking lot, was visually stunning though acoustically-strained. Schedule conflicts prevented me from seeing WHAT’s 2022 season kickoff (Straight White Men by Young Jean Lee, a “straight” play I enjoyed at Watertown’s New Rep years ago). But at the first opportunity, I hightailed it from Boston to see the second show of the five show season curated by Producing Artistic Director Christopher Ostrom: Marry Me A Little. Seeing live theater indoors again at the jewel that is Julie Harris Stage is a gift, in this case a string of Sondheim pearls.

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A Round of Applause for Theatre in-the-Round: Cinderella at North Shore Music Theatre

Meadow Nguy (Ella), Stephen Brower (Topher), and the cast of ‘Cinderella” at North Shore Music Theatre thru July 24. Photos by Paul Lyden.

Rodgers + Hammerstein’s CinderellaMusic by Richard Rodgers; Lyrics by Oscar Hammerstein II; New Book by Douglas Carter Beane; Original Book by Oscar Hammerstein II. Creative Team: Kevin P. Hill (Direction and Choreography), Milton Granger (Music Direction), Kyle Dixon (Scenic Design), Travis M. Grant (Original Costume Design), Kelly Baker (Costume Coordinator), Corey Whittemore (Lighting Design), Don Hanna (Sound Design), Rachel Padula-Shufelt (Hair and Wig Design). Presented by NSMT through special arrangement with R&H Theatricals at 54 Dunham Road, Beverly, MA through July 24

by Linda Chin

After being shuttered in 2020, then bringing back two previously produced shows (Mamma Mia – Encore, A Christmas Carol – 30th Anniversary) in 2021, NSMT’s return to a six-show season with an impressive lineup of Broadway hits is in itself cause for celebration. Part of my excitement when going to NSMT is seeing how they transform productions that are typically staged proscenium-style to arena-style – with no curtain, multiple entrances and exits (including sub-terranean) and no back (or fourth) wall. In addition to the rousing standing ovation to the cast and orchestra on opening night, a well-deserved round of applause to the Director/Choreographer Kevin Hill, Music Director Milton Granger and creative team for using theatre-in-the round to its full advantage in their 2022 production of Rodgers + Hammerstein’s Cinderella.

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Swenson Shines Like a 14-carat Diamond in ‘Beautiful Noise’ at Emerson Colonial

Will Swenson as Neil Diamond in A Beautiful Noise at the Emerson Colonial. Photos by Matthew Murphy

A Beautiful Noise – Book by Anthony McCarten; Music and Lyrics by Neil Diamond. Music supervision and arrangements, Sonny Paladino. Choreography, Steven Hoggett. Directed by Michael Mayer. Design team: David Rockwell (scenic design); Emilio Sosa (costume design); Kevin Adams (lighting design) and Jessica Paz (sound design). Presented by the Ambassador Theatre Group at the Emerson Colonial Theatre, 106 Boylston St. Boston through August 7th.

by Mike Hoban

It seems only fitting that the producers of the Neil Diamond musical bio A Beautiful Noise would stage the pre-Broadway run in Boston at the historic Emerson Colonial Theatre. Not only was the venue home to debut performances of iconic Broadway shows like Anything Goes, Porgy and Bess and Oklahoma! (and more recently, Moulin Rouge), but Diamond is forever bonded to Boston since his pop hit “Sweet Caroline” was adopted by the Red Sox as a theme song for the 8th inning stretch in 2002. The song, with its audience participation lyric, “SO GOOD! SO GOOD! SO GOOD!” became so wildly popular with fans that Diamond performed it on April 20, 2013, in the emotional first game back at Fenway Park after the Boston Marathon bombings. With that kind of passionate connection, maybe the Boston audience isn’t the best barometer of the quality of the show, but A Beautiful Noise – a joyous blast of fun with a surprisingly poignant book – seems destined to be a crowd-pleasing smash. 

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Reagle Music Theatre Delivers a Vibrant and Moving “West Side Story”

Cast of ‘West Side Story’ at Reagle Music Theatre. (w Bianca Rivera-Irons, foreground) Photos by Herb Philpott

by Michele Markarian

“West Side Story”. Book by Arthur Laurents. Music by Leonard Bernstein. Lyrics by Stephen Sondheim. Directed and Choreographed by Rachel Bertone. Music Direction by Dan Rodriguez. Presented by Reagle Music Theatre of Greater Boston, 617 Lexington Street, Waltham through July 16.

From the opening scene of “West Side Story” – chaotic and cacophonic– to the final image of Maria (Eevie Perez) kneeling alone in mourning onstage, we feel the heat and tension of New York, with its rival gangs, prejudice, and libido. No matter how many times I’ve seen this show, the music, choreography and storyline, based on Romeo and Juliet, never fail to hold my attention, with each director’s vision capturing something slightly different.  Bertone’s version is no exception. 

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