New Rep’s “Ripe Frenzy” a Startling, Provocative Drama

Samantha Richert (left) and Stacy Fischer (right). Photo by Kalman Zabarsky

 

By Michele Markarian

 

Ripe Frenzy – Written by Jennifer Barclay.  Directed by Bridget Kathleen O’Leary.  Co-Produced by Boston Center for American Performance and New Repertory Theatre, Boston University College of Fine Arts, Studio ONE, 855 Commonwealth Avenue, Boston, MA through March 11.

 

The arrival of Jennifer Barclay’s exceptional play Ripe Frenzy in Boston could not be timelier.  For anyone affected by America’s spate of school shootings, particularly in the wake of the recent one in Florida, Barclay intelligently and thoughtfully puzzles her way through some of our deepest thoughts and fears without being didactic. It’s a heartbreaking piece, alternately tense and tender, that offers no answers, which is oddly and honestly comforting.

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Nominations for 22nd Annual IRNE Awards Announced!!!!!!!!!!!

 

Boston, MA, February 26, 2018 – The Independent Reviewers of New England (IRNE) today announced the nominees for the 22nd Annual IRNE Awards, which honor the best of the previous year’s actors, directors, choreographers, designers and companies across the full spectrum of large, mid-size and fringe theater companies. The Huntington Theatre led all companies with 35 nominations spread across six plays and one musical, Merrily We Roll Along, which received a dozen nominations. Ragtime, which was presented by Ogunquit Playhouse, also earned a dozen nominations among the Ogunquit total of 18.

 

The winners will be announced on Monday, April 23th, at 7:30 p.m. in the Ballroom of the Holiday Inn Brookline/Boston, just outside Kenmore Square. As always, admission will be free, courtesy of the Independent Reviewers of New England (IRNE).

 

“With so many outstanding productions last year, it was a difficult process to pare down the list of deserving nominees,” said IRNE co-founder Beverly Creasey, of the Boston Arts Review. “And unlike recent years, there doesn’t appear to be any dominating productions, so it should be a very competitive voting process in most of the categories.”

 

Joining Merrily We Roll Along and Ragtime in the category of Best Musical/Large Theater was Bullets Over Broadway, The Musical (also Ogunquit); Showboat and 42nd St. (Reagle Music Theatre); and Evita (North Shore Music Theatre). In the Best Play category, Merrimack Repertory Theatre has a pair of contenders, Silent Sky and The Royale; the Huntington received two nominations for Ripcord and A Guide for the Homesick (which also garnered a nomination for Best New Play); while Trinity Repertory Company’s Death of a Salesman and the ART’s Night of the Iguana also earned nominations.

 

In the Mid-Size category, Speakeasy Stage Company earned 24 nominations dispersed among five productions (The Curious Incident of the Dog in the Night-Time, Men in Boats, Hand to God, Grand Concourse, and The Bridges of Madison County, a musical), while Lyric Stage and Greater Boston Stage earned 14 apiece. In the Fringe category, Moonbox Productions earned 14 nominations, largely on the strength of the musical Barnum.

 

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THE LONE STAR LOVE POTION


Reviewed by Tony Annicone

Come on down to Texas, you all and the current comedy dinner show at the Newport Playhouse. “The Lone Star Love Potion” by Michael Parker kicks off the 36th season for this theatre with a bang. Mr. Stancliffe, the owner of a vast fortune and a two hundred thousand acre ranch in Texas has passed away. His long time butler, Jarvis and the maid, Melody along with Patrice, Mr. Stancliffe’s only living relative are there for the reading of the will by the family lawyer, Mr. Oakfield. Also there is Patrice’s husband, Michael and a neighbor Tammy Jo who is also mentioned in the will. Later on a dowdy ornithologist , Mary Lou appears on the scene. It is a very rainy evening and they all are trapped in the house because the bridge is flooded by the rain. Also found in the safe is a secret love potion that makes whomever ingests it to become irresistible to the person who smells it. This becomes a prize wanted by many of them especially the very amorous, Michael who wants every woman in sight especially Melody, the maid. Throw in many pratfalls, mistaken identities and wrong lovers here and there and everywhere and you have the necessary ingredients for this hilarious farce. Director Daniel Lee White creates the shtick to leave the crowd laughing all night long. The first entrance of the maid is hysterical with her balancing a tray while tumbling over a sofa and never dropping a thing while doing so. He gives each performer their moment to shine in the show. Tonya Killavey and Jacob Davis create a gorgeous unit set of living room and bedroom that is so realistic that one longs to move in lock, stock and barrel.

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Sleeping Weazel Provides an Intimate Winter Escape

 

Review by James Wilkinson

 

A Winter Gathering – Production Designer: Mirta Tocci. Lighting Designer: Colin McNamee. Sound Designer: Oliver Seagle. Presented by Sleeping Weazel at the BCA Black Box, 527 Tremont St. Boston, through February 24th.

 

When I walked into Sleeping Weazel’s production of A Winter Gathering, I had been awake for thirteen hours and had probably spent about a good third of that time staring at my phone. Not for any sort of emergency purpose, just the regular checking of email, Facebook, text messages and blogs that has slowly grown to be the new normal of daily activity. I went into the theater space with the sort of addled static brain feeling that comes from spending so much time with your eyeballs glued to the glowing screen of a handheld device.

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Trinity’s Modern Day ‘OTHELLO’ Brings Energy and Vitality to Classic

 

Reviewed by Tony Annicone

 

Trinity Repertory Company’s newest production of their 54th season is “Othello” by William Shakespeare. This show is about friendship and betrayal, love and jealousy. Once Othello’s most trusted confidante, Iago’s envy-fueled passions unleash a betrayal with catastrophic results for Othello and his beloved bride, Desdemona. Shakespeare’s profound tragedy is an enduring story of race, love, envy, gender inequality and repentance. This stripped-down retelling is the portrait of an unraveling mind amid a society engulfing and destroying its very best.

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Praxis Breathes New Life into a Timeless Gem with ‘for colored girls’

(Left to Right):Tonasia Jones, Kerline Desir, Dayenne C. Byron Walters, Ciera-Sadé Wade, Thomika Birdwell, Karimah Williams, Verna Hampton. Photo Credit: Roberto Mighty

 

by Mike Hoban

 

‘for colored girls who have considered suicide/when the rainbow is enuf’  – Written by Ntozake Shange; Directed by Dayenne CB Walters; Music Composition by Patrick Casky; Choreography by W. Lola Remy; Costume Design by Cassandra Cacoq; Lighting Design by Ashley Yung. Presented by Praxis Stage at Hibernian Hall, 184 Dudley St. in Roxbury through February 25th.

 

Given the current state of political affairs, there may not be a better time to revive for colored girls who have considered suicide/when the rainbow is enuf, now being presented by Praxis Stage with an extraordinary production at Hibernian Hall through next weekend. Praxis was formed on November 9th, 2016, “as a response to the disaster of Trump’s election” according to their mission statement, and there are few theatrical works that better portray the ability of African-American women to persevere and be a force than “for colored girls” – as we saw in December when they were the primary driver behind the defeat of Trump-backed Roy Moore in the special Senate election.

 

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OTP’s ‘An Education in Prudence’ Hits Timely Note

 

By Michele Markarian

 

An Education in Prudence – Written by Stefan Lanfer. Directed by Pascale Florestal. Presented by Open Theatre Project, St. John’s Church, 1 Roanoke Avenue, Jamaica Plain, MA, through February 24.

 

Although “An Education in Prudence” takes place in 1833, and the educational issues it deals with have been resolved, the undertones and attitudes around the issues resonate sharply with today’s divisive America. In witnessing the drama, one can’t help but be reminded of what ensues when closed minds refuse to unfold, not just with racism, but with sexism, homophobia, xenophobia, and fear of the other.

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TWELFTH NIGHT ( Salve Regina University )


Reviewed by Tony Annicone

Welcome to Illyria, which is the setting of “Twelfth Night” at Salve Regina University at the Black Box Megley Theatre in Newport. The audience members are invited guests to a Shakespearean celebration. First we come upon a shipwreck where twins Viola and Sebastian are separated and forced to survive on their own in a strange land. The first, Viola, falls in love with Count Orsino who in turn is in love with Olivia. However Olivia falls for Viola whose is disguised as Cesario but Olivia is also pursued by her pompous steward, Malvolio who is viewed as such because he condemns drunken revelry by her uncle Toby Belch and Sir Andrew, another one of her suitors. Later on, Sebastian appears on the scene throwing the situation into further disarray because he is the spitting image of his twin sister. Mistaken identities, gender bending antics, revelries and wild mayhem abound in this madcap Shakespearean tale written in 1601 or 1602. Director Tom Gleadow takes his college student performers and molds them into these characters of yesteryear winning them the accolades they richly deserve.

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Animated Pre-Teen Trans Experience ‘Torrey Pines’ at ArtsEmerson Has Universal Appeal

 

 

by Mike Hoban

 

‘Torrey Pines’ – Director: Clyde Petersen; Animators: Clyde Petersen & Chris Looney; Production Team: Aidan Baxter-Ferguson, Jack Carroll, Dena Zilber, Terrance Robinson, Merce Lemon, Zach Burba & Leah Gold. Original music recorded in collaboration with Kimya Dawson and Chris Walla. Presented by ArtsEmerson at the Emerson Paramount Center Jackie Liebergott Black Box through February 17.

 

Admittedly, Torrey Pines, the moving and often hilarious stop-motion animated feature film now making its Boston premiere at the Emerson Paramount Center Jackie Liebergott Black Box, is not your everyday coming of age story. In the director’s notes, Clyde Petersen says his film – which is also accompanied by his live band, Your Heart Breaks,  – “is for queer punks, trans youth and people who struggle with mental health issues in their lives”, but it’s also for anyone who enjoys imaginative animation, quirky (and painful) storytelling, and great live music.

 

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TWELFTH NIGHT (Burbage Theatre Company, Pawtucket, RI)

Reviewed by Tony Annicone

Director Jeff Church breathes new life into Shakespeare’s “Twelfth Night”, Burbage Theatre Company’s 7th season winter production, making it an irreverent romp. The show is set in Illyria and is about shipwrecked Viola who disguises herself as a man. She falls in love with her employer, Count Orsino and the beautiful Olivia falls in love with Cesario who is Viola in disguise. The comic subplot concerns her pompous servant Malvolio who insults her uncle, Sir Toby Belch and another would-be suitor, Andrew Aguecheek for too much revelry and they plot their revenge on him by making him think Olivia is in love with him. It also concerns Olivia’s jester, Feste and her servants, Maria and Fabian. Meanwhile, Viola’s twin brother, Sebastian has been rescued by Antonio and appears on the scene. Of course, Olivia mistakes him for Cesario asking him to marry her. However all’s well that ends well with all the loose ends being tied up by the end of this comic romp by Jeff’s clever and inventive direction. He provides many comic situations and much shtick in his theatre in the round with four entrances from the stormy ship wreck to the joyful finish by keeping the audience entertained all night long.

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