“SHREK, THE MUSICAL” (Stadium Theatre, Woonsocket, RI)

Reviewed by Tony Annicone

 

Stadium Theatre’s fall show is “Shrek, the Musical”, based on the Oscar winning Dreamworks animation movie with the same name from 2001. It has music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire with the original source material from William Steig’s 1990 book “Shrek.” The story begins when Shrek tells the audience his parents sent him out of the house at the age of 7 and into the world to make a living. They warn him because of his looks, everyone will hate him and he will come to a bad end. The audience joins Shrek and his loyal steed, Donkey on their quest to rescue the beautiful if slightly temperamental Princess Fiona from a tower guarded by a love sick fire-breathing dragon. Throw in the diminutive Lord Farquaad who is in love with Fiona, a gang of fairytale misfits, and a gingerbread cookie with attitude to the list of wild and crazy characters that Shrek and the audience meet along the way. Shrek is an outsider who goes on a journey to discover where he belongs in the world. This is something everyone can relate to as well as an important lesson to learn that you should learn to accept everybody no matter how they look. Add splendid singing and dancing by this 41 member cast with excellent direction by Ashley Lopes, terrific choreography by Jennifer Webb and marvelous music direction by Alex Tirrell. This high energy musical is rewarded with a spontaneous standing ovation at the curtain call with the whole audience singing “I’m a Believer” with Shrek and his cast mates.

Ashley picks the best performers for these roles and infuses them with keen insight into the comic and dramatic moments that enthrall the crowd. Jennifer’s choreography is breathtaking especially the tap dance, the twist, the Charleston and some Motown dances. The 19 songs and music soar under Alex’s direction with his excellent 12 piece orchestra. Leading this huge cast is Aidan Horrigan as Shrek. He is dynamic in this role, winning over the audience with his sympathetic portrayal. Aidan’s songs include “Big Bright Beautiful World”, when he sings about being alone in the swamp, “When Words Fail” when he tries to explain his feelings to Fiona, “Build a Wall” when he is angry with everyone around him and “Beautiful Ain’t Always Pretty”, when he falls in love at last. His duet with Fiona is “I Think I Got You Beat” which is reminiscent of “Anything You Can Do” from “Annie Get Your Gun” where they compete with each other in an hilarious burping and farting contest. Aidan closes the show with “I’m A Believer” of Monkee fame with the whole cast dancing to it.

 

Brian Lopes is a hoot as the Donkey. He is a hoot with his wild and crazy antics as well as his delivery of the witty one liners. Brian’s powerful voice is heard in “Don’t Let Me Go” when he first meets Shrek, “Travel Song” where he explains he’s a GPS in fur, “Forever” is when the Donkey discovers the Dragon is holding Fiona captive, “Who I’d Be”, “Make a Move” when he encourages Shrek to pursue Fiona and “This Is Our Story” which brings the Donkey a happy ending. Multitalented beautiful red head, Dalita Getzoyan is superb as the spunky, Fiona. This character isn’t afraid of anyone and speaks her mind freely. Her lovely voice is heard in the very poignant “I Know It’s Today, where she sings about being rescued by a prince ( sung in perfect three part harmony with Jennifer Leamy as Young Fiona and Elizabeth Larabee as Teen Fiona) “This Is How A Dream Comes True”, “Who I’d Be” where she, Shrek and the Donkey sing of the secrets they are hiding, “Morning Person”, a stunning show stopping tap dance that opens Act 2, “I Think I Got You Beat”, the farting song and “This Is Our Story” where she and Shrek get together at last. Marvelous work by the three leading players.

 

The rest of the cast lives up to the high standards of the leading players. Dillon Tognacci plays the part of Lord Farquaad excellently. He is the villain of the show as he wants Shrek killed so he can have Fiona for his own. Dillon is a hoot as this Snidley Whiplash character as he oozes evilness from every pore of his being. He plays the part on his knees with fake legs and his dancing has to be seen to be believed. His strong voice soars in his two big song and dance numbers “What’s Up Duloc?” and “The Ballad of Farquaad.” Dillon is hilarious while stealing many a scene with his strong comic timing. Farquaad’s even smaller father, Grumpy of Snow White fame is played by tiny Jake Smolan who also plays Young Shrek. He is a hoot as Grumpy who finally puts Farquaad in his place. Michaelyn St. Pierre plays the comical Dragon marvelously. She displays her powerful voice in “Forever” with Brian as she falls in love with Donkey. Leading the fairytale characters is Pinocchio played splendidly by Connor Buonaccorsi and he is hilarious as his nose keeps growing longer every time he tells a lie. Connor speaks in a high pitched voice and leads the chorus in “Story of My Life”, “The Goodbye Song” and “The Freak Flag” which is where the fairytale characters do a Motown dance that captivates the audience. He also plays the Pied Piper and he and the rats do a terrific tap dance. Bryn Martin who is a  gorgeous blonde is a hoot as Gingy, the gingerbread cookie who is tortured by Farquaad so he can find his princess and become king. Her fabulous singing voice is heard in “The Freak Flag.” Madison LaPlante has a fabulous voice which soars in “Freak Flag” song where she plays Humpty Dumpty. There are many twists and turns leading up to its heartwarming ending. So for a wonderful musical treat that can be enjoyed by audiences of all ages, be sure to catch “Shrek, the Musical” at the Stadium Theatre.

SHREK, THE MUSICAL (12 to 14 October)

Stadium Theatre, 28 Monument Square, Woonsocket, RI

1(401)762-4545 or www.stadiumtheatre.com

 

THE HUNCHBACK OF NOTRE DAME

Reviewed by Tony Annicone

 

Stadium Theatre’s current musical extravaganza is “The Hunchback of Notre Dame”, a new musical which debuted at the La Jolla Playhouse in California in October, 2014. Then in March, 2015 it played at Papermill Playhouse in New Jersey. Both theatres have had shows transferred to Broadway. Unfortunately this musical did not make it and why is a complete mystery to me. This version is based on the Victor Hugo 1831 novel which was transformed by Disney into an animated film in 1996. This version has music by Alan Menken, lyrics by Stephen Schwartz and book by Peter Parnell. However this is not the usual happy musical from Disney where everyone lives happily ever after. The songs from the Disney film “The Hunchback of Notre Dame” are powerful and potent and the tale dark and Gothic but still it is an entrancing and enticing musical to see and savor. Director Becca Donald and musical director Mark Colozzi pick the best performers for these roles and infuse them with high energy all night long. Mark plays lead keyboards and conducts a fabulous 9 piece orchestra and obtains awesome harmonies from the cast. Choreographer Matt Parello supplies some upbeat dances to lighten up the show in some of the gypsy sequences. Their expertise wins a very well deserved spontaneous standing ovation at the close of the performance.

 

The storyline is a deformed man, Quasimodo is hidden from the world by his devious caretaker and longingly observes all of Paris from atop a bell tower. However during the Feast of the Fools, he escapes for the day to join the crowd, discovering both the cruelty and compassion of strangers and new friends he must defend from a familiar evil. Becca blocks this huge epic musical splendidly on a fantastic two story cathedral style set by Wayne Boucher. She brings every ounce of pathos pouring out to the very appreciative audience. The multitude of gorgeous costumes are by Eve Lajoie, Gina Giuliano, Linda McDermott, Dean Hernandez and Caroline Tillinghast . Jack Cappadona does a magnificent job as Quasimodo, the poor tormented creature whose only friends are the gargoyles of Notre Dame. He captures the pathos of this character perfectly and acts his heart out in this role. Jack’s voice is so powerful as he renders the hopeful “Out There” where he yearns to be like other people, “Heaven’s Light” and the 11th hour show stopping song “Made of Stone” which is despairing but all are fabulously sung by this young man who should be a professional performer after seeing him in this performance. Hannah Duhamel also shines as Esmeralda, the gypsy who captures Quasimodo’s heart. She is a gorgeous brunette with a beautiful voice which is heard with the chorus in “God Help the Outcasts” and in “Someday”, a duet with Phoebus where people should learn to live with each other peacefully after facing prejudice against the gypsies. Hannah also sings the poignant “Top of the World” song with Jack when he brings her to the bell tower.

 

Powerful vocalist Cooper Ceruolo plays the Captain of the guard, Phoebus who falls in love with Esmeralda. His voice is heard in “Rest and Recreation” and “The Court of Miracles.” I last reviewed him as Chris in “Miss Saigon” at the Stadium. John McElroy Morgan as Frollo, the pious archdeacon who lusts after Esmeralda and becomes more depraved. He is terrific as this pious but bigoted man whose hate for the gypsies overpowers his religious nature and he also treats his nephew, Quasimodo with disdain due to his father’s assignation with a gypsy girl. When Frollo meets Esmeralda, his dark side comes out. John is onstage almost the whole musical. His powerful voice is heard in “Hellfire” with the choir. He sends chills up your spine with this bloodthirsty song and his malevolent character. The chorus and congregation vocalists are incredible and their voices soar in the group numbers especially in “The Bells of Notre Dame”, the Latin songs, “Justice in Paris” and “While the City Slumbered.”  Mark does a magnificent job with the soaring, beautiful harmonies of these numbers. So for a splendid new epic musical, be sure to catch “The Hunchback of Notre Dame” at the Stadium Theatre before time runs out. Tell them Tony sent you.

THE HUNCHBACK OF NOTRE DAME (20 to 22 October)

Stadium Theatre, 28 Monument Square, Woonsocket, RI

THE CRAZY TIME , Newport Playhouse

Reviewed by Tony Annicone

 

Welcome back to the 1970’s and the battle of the sexes in the current show at Newport Playhouse, “The Crazy Time” by Sam Bobrick. Miles Gladstone finds himself making some drastic midlife changes after leaving his wife of thirty years and marrying a gorgeous woman half his age. Just six months into his new marriage, his new wife is nowhere to be found, his daughter Susan fears that her marriage is headed down the same road as her parents. Miles, business partner Jerry is plotting a hostile takeover and surprisingly ex-wife Kate is back in his life but now involved with a much younger boyfriend. The crazy time occurs in your lives when outside distractions lead you astray from your path of life. Director Rick Bagley infuses his cast with keen insight into these comic roles and they lead the audience on a merry romp after the audience enjoys an all you can eat buffet before the show and a delightful, fun filled cabaret afterwards.

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LEADING LADIES (Rhode Island College)

Reviewed by Tony Annicone

 

“Leading Ladies” by Ken Ludwig takes place one month in the spring of 1958 in York, Pennsylvania. Written by the author of “Lend Me a Tenor” and “Moon Over Buffalo”, this hilarious comedy is Rhode Island College Theatre Department’s current show. In this play two English Shakespearean actors, Jack and Leo, find themselves so down on their luck that they are performing “Scenes from Shakespeare” on the Moose Lodge circuit in the Shrewsbury, PA. When they hear that Florence, an old lady in York, PA is about to die and leave her fortune to her two long lost English nephews, they resolve to pass themselves off as her relatives and get the cash.

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THE BOYS NEXT DOOR (2nd Story Theatre, Warren, RI)

 

Reviewed by Tony Annicone

 

2nd Story Theatre’s opening show of their season is “The Boys Next Door” by Rhode Island native, Tom Griffin. It is a funny and touching play about four mentally handicapped men living in a communal residence under the guidance and watchful eye of a caring but burnt out social worker. The story is told by a series of vignettes and scenes, with some of the performers speaking directly to the audience. Director Ed Shea picks splendid and talented performers to fill these well written roles. He mixes the comic and dramatic moments together marvelously to a very appreciative audience who gives them a resounding ovation at the curtain call.

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NSMT’s EVITA is Magnificent

 

Reviewed by Tony Annicone

 

North Shore Music Theatre’s fourth musical of their 62nd season is “Evita” by Andrew Lloyd Webber and Tim Rice. This rock opera is about Eva Peron, bit actress, mistress and wife to Argentine dictator, Juan Peron. This show is a collage of Eva’s rise to power and her early death. It is a look at a woman loved by the poor, hated by the rich and powerful and who was not above taking matters into her capable hands, whether it be charity funds, colonels on the rise to political power or, finally, political power itself.

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MRT’s Provocative ‘THE ROYALE’ Pulls No Punches

 

By Sheila Barth

BOX INFO: Merrimack Repertory Theatre presents Marco Ramirez’s award-winning, 80-minute, one-act play through October 8, Nancy L. Donahue Theatre, 50 E.Merrimack St., Lowell.$26-$73. Senior, student, group, military discounts. Also additional events. mrt.org., 978-654-4678.

 

A superlative ensemble cast, under the direction of IRNE and Eliot Norton award-winner Megan Sandberg-Zakian, packs some powerful one-two punches and societal-racial jabs in playwright  Marco Ramirez’s award-winning, 80-minute, one-act boxing drama, “The Royale”.  The play is currently making its New England premiere through October 8 at Merrimack Repertory Theatre.

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‘Men on Boats’

 

By Sheila Barth 

 

BOX INFO: Almost two-hour, one act gender-flipping play by Jaclyn Backhaus, presented by SpeakEasy Stage Company through Oct. 7: Wednesday,Thursday, 7:30 p.m.; Friday, 8 p.m.; Saturday, 4,8 p.m.;Sunday, 3 p.m.; also Oct. 5, 2 p.m., Roberts Studio Theatre, Calderwood Pavilion, Boston Center for the Arts, 527 Tremont St.,Boston.  Tickets start at $25; senioor, age 25-under, college students with ID, discounts. SpeakEasyStage.com. 617-482-3279.

 

Either you like it, or you don’t.

I didn’t.

 

While Jaclyn Backhaus’ gender-flipping, time-bending, play, “Men on Boats,”  has garnered public and media praise, SpeakEasy Stage Company’s season-opening, almost two-hour, one-act production doesn’t reflect this theater company’s usual outstanding performances.
Press information touts “MEN ON BOATS” as “a rollicking adventure tale brought thrillingly to life by a gender-bending cast of diverse performers who use carefully exaggerated theatrics to tell the story of an actual 1869 expedition led by John Wesley Powell to chart the Colorado River “

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“Home” Brings Magic to the Familiar

 

by Mike Hoban

 

Home – Written by Geoff Sobelle; Directed by Lee Sunday Evans. Presented by ArtsEmerson at the Emerson Paramount Center at 559 Washington St. Boston through October 1.

Home – the theatrical experience built around the onstage construction of a home and the lives of its multiple inhabitants – is like nothing you’ve ever seen before, although you’ve certainly experienced everything in it over and over and over in your own life. Absurdist actor, illusionist, and playwright Geoff Sobelle has devised a work that takes the most familiar parts of our lives, from getting out bed, brushing our teeth, taking a shower (which includes brief nudity) and yes, going to the bathroom, and turns it into a symphony of movement in the comfort of a kind of “every-home”.

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A.R.T.s “WARHOLCAPOTE” An Entertaining Diversion

 

by Mike Hoban

 

“WARHOLCAPOTE”Adapted by Rob Roth from the Words of Truman Capote and Andy Warhol; Directed by Michael Mayer; Starring Stephen Spinella and Dan Butler; Scenic Design by Stanley A. Meyer; Costume Design by Clint Ramos; Lighting Design by Kevin Adams; Sound Design by John Gromada; and Projection Design by Darrel Maloney. Presented by the American Repertory Theater at the Loeb Drama Center, 64 Brattle St, Cambridge through October 11.

 

The A.R.T.s Broadway-bound WARHOLCAPOTE is making its much-anticipated world premiere at the Loeb Center, and while there’s a lot to like about this “non-fiction invention”, it’s really less of a fully developed play and more of a series of outtakes from conversations between the two 20th century icons. Which – considering the colorful nature of the work’s subjects – makes for an entertaining 90 minutes.

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