NSMT’s Delivers Spirited ‘Christmas Carol’

 

Reviewed by Tony Annicone

 

Bill Hanney’s North Shore Music Theatre’s holiday show this year is the 27th Anniversary production of “A Christmas Carol, A Musical Ghost Story” which is an annual favorite. This version of this well known holiday tale was written by former NSMT artistic director, Jon Kimball which he adapted back in 1989. As Jon explains “A Christmas Carol” is a timeless story that still resonates with people of all ages and carries a message that is as genuine and poignant now as it was when it was first written back in 1843. This splendid musical version captures the true spirit and meaning of the holiday season for one and all.

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Lyric’s ‘Hold These Truths’ Brings Light to Dark Chapter of American History

 

 by Mike Hoban

 

‘Hold These Truths’ – Written by Jeanne Sakata; Directed by Benny Sato Ambush; Scenic Design by Shelley Barish; Sound Design and Original Music by Arshan Gailus; Choreography by Jubilith Moore; Lighting Design by Karen Perlow; Costume Design by Tobi Rinaldi. Presented by Lyric Stage at 140 Clarendon Street, Boston, through December 31

 

Theater often reflects the times we live in. As a result, 2017 has been a year where productions have often left audiences with the horrible sense of dread that what we thought could never happen again, may indeed be happening again. Local theatre companies have produced a number of Nazi-themed plays like Tony Kushner’s A Bright Room Called Day, Arthur Miller’s Incident at Vichy, and Brecht on Brecht, while a national tour of the revival of Cabaret rolled into Boston just days after the inauguration. There were also a handful plays (To Kill A Mockingbird, Thurgood) that served as reminders that maybe those bad old days of institutional racism may not yet be over.

 

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THE HUNCHBACK OF NOTRE DAME Bishop Hendricken Theatre, Warwick, RI

THE HUNCHBACK OF NOTRE DAME

Reviewed by Tony Annicone

 

Bishop Hendricken Theatre’s current musical extravaganza is “The Hunchback of Notre Dame”, a new musical which debuted at the La Jolla Playhouse in California in October, 2014. Then in March, 2015 it played at Papermill Playhouse in New Jersey. Both theatres have had shows transferred to Broadway. Unfortunately this musical did not make it and why is a complete mystery to me. This version is based on the Victor Hugo 1831 novel which was transformed by Disney into an animated film in 1996. This version has music by Alan Menken, lyrics by Stephen Schwartz and book by Peter Parnell. However this is not the usual happy musical from Disney where everyone lives happily ever after. The songs from the Disney film “The Hunchback of Notre Dame” are powerful and potent and the tale dark and Gothic but still it is an entrancing and enticing musical to see and savor. Director Richie Sylvia who is also musical director picks the best performers for these roles and infuse them with high energy all night long. Richie plays lead keyboards and Sean Donnelly conducts a fabulous 13 piece orchestra and obtains awesome harmonies from the cast. Choreographer Teresa Pearson supplies some upbeat dances to lighten up the show in some of the gypsy sequences. Their expertise wins a very well deserved spontaneous standing ovation at the close of the performance.

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“A CHRISTMAS CAROL” (Arctic Playhouse, West Warwick, RI)

 

Reviewed by Tony Annicone

 

The Arctic Playhouse’s holiday presentation this year is the premiere production of “A Christmas Carol” adapted and directed by John Martorella with gorgeous and lush original music by his husband, Philip Martorella. John assembled a huge cast of 30. The underlying themes of charity, mercy, forbearance, and benevolence found in “A Christmas Carol” are universal and are relevant to people of all religions and backgrounds. In his version, John uses two different performers as the narrators of this familiar tale of miserly, curmudgeon, Ebenezer Scrooge. It is the classic tale of this stingy, miser on the road to his redemption. Originally written in the winter of 1843, this show still resonates with audiences, one hundred and seventy five years later. Scrooge is visited by his dead partner, Jacob Marley who has been dead for seven years on Christmas Eve as well as the ghosts of the Past, Present and Future. who hope to change his destiny and save his soul. This musical adaptation is full of lovely music, colorful sets and gorgeous costumes. This musical treat follows Scrooge on his strange and magical journey, where he finally discovers the true Christmas spirit at last.

John obtains laughter and some tears on Scrooge’s journey to redemption. He keeps the action of the show moving from scene to scene. He ends the show with the cast singing “God Bless Us All” to the audience. The music by Philip is magnificent and a recorded track is used for all these numbers. The three marvelous numbers are “Rise and Walk With Me” by Christmas Past, “With All the Dreams We Share” by Belle and “God Bless Us All” by Tiny Tim. Also well done is the chorus dance in the Fezziwig scene. The London sets are by Jim Belanger and Lloyd Felix while the fabulous, gorgeous authentic costumes are by Nancy Spirito and Johnny Cagno.

Terry Simpson plays Ebenezer Scrooge. He plays this miserly curmudgeon excellently and commands the stage in this role. Terry excels in the comic scenes especially when he yells at the carolers as well as when he yells at the two solicitors. However it is in the dramatic scenes that are the most memorable including Fan’s death, the break-up with Belle, the death of Tiny Tim and in his transformation that the pathos pours out to the audience.  His exuberance when he awakens on Christmas morning is stunning to behold as he dances with joyous rapture. The audience learns that Scrooge has become a better man by learning from the past, present and the future. The Turkey boy well played by Jacoby Messier helps Scrooge turn a new leaf by sending the turkey to the Cratchitts.

The four Ghosts do a marvelous job in this show, too. Geoff Monti is wonderful as Jacob Marley. He scares not only Scrooge but every person in the audience as he appears on the scene. The chains clang as he drag them across the floor.  Marley stands near Scrooge’s bed with huge chains and warns him to reform his miserly ways or suffer Marley’s fate these past seven years. Monti’s delivery of these lines is frightening to behold. Christmas Past is portrayed by Maria Tavorozzi, a beautiful brunette who has a lovely singing voice in her impressive song “Rise and Walk with Me”. She chides Scrooge as he watches his younger self enjoying and loving Christmas with his sister, Fan when she arrives to take him home and again at Fezziwig’s party when he fell in love with Belle. Maria delivers the goods as she takes Scrooge on his journey of enlightenment. Young Scrooge is wonderfully played by Mike Daniels as is Roxy Johnson as little Fan. Mike is also topnotch in the break up scene. Chantell Araial is terrific as Belle, playing it with a great deal of warmth and charm. Their break up scene is poignant to observe as she hands him back the engagement ring while she sings “With All the Dreams We Share” which is gut wrenching and very beautifully rendered. The jolly employer and his wife are splendidly played by Brian Lamothe and Peirson as Mr. and Mrs. Fezziwig. They lead the party festivities with gusto, bringing the necessary comic relief at this point of the show.

Christmas Present is wonderfully played by Geoff Monti. He is the dominant presence in this show while he spreads good cheer. He teaches Scrooge an important lesson on how to treat his fellow man and uses Scrooge’s words against him. The Ghost cajoles Scrooge while he shows him the plight of the Cratchit family and how his nephew, Fred is spending Christmas day. Mike Daniels is also marvelous as Fred. He brings a comic touch to the role, infusing him with energy. He is hilarious when he puts more coal in Scrooge’s heater and is comical during the party scene. His wife, Agnes is excellently played by gorgeous, brunette Chantell Araial. They have some clever banter during the party scene. Brian Lamothe also plays the Ghost of the Future and he scares the crap out of the audience as he shows Scrooge the fate that will befall him unless he repents his terrible ways. The Ghost accomplishes this by having Scrooge observe the Old Joe scene, the death of Tiny Tim and Scrooge’s own gravestone.

The Cratchit family members do a remarkable job, too.  Bob Mignari as Bob handles the comic moments like being shocked by Scrooge’s transformation in the last scene and also does a nice job in the death of Tiny Tim sequence. Kristen Allen plays Mrs. Cratchit and she shines in this role, as the caring, doting mother. She and Bob display their singing voices and dancing prowess, too. Kristen is very comical when she won’t toast the old miser but becomes properly dramatic and chokes you up during the Tim death scene. Other family members include her daughter, Harper Henning as Martha and Lily Legacy as Belinda. Young Roxy Johnson also plays Tiny Tim wonderfully and delivers the “God Bless Us, Everyone” song with gusto. Other comic performers include Laurie Crabtree as Mrs. Dilber, who delivers Scrooge’s gruel, shocks him at the door, walks slowly to deliver the food to him and sells his bed clothes while John Martorella plays Old Joe. So to get into the Christmas spirit, be sure to catch “A Christmas Carol” at West Warwick High School by The Arctic Playhouse.

A CHRISTMAS CAROL (6 to 9 December)

The Arctic Playhouse, West Warwick High School, 1 Webster Knight Drive, West Warwick, RI

1(401)573-3443 or www.thearcticplayhouse.com

 

 

Onward to Glory with “Man of La Mancha”

By Michele Markarian

 

Man of La Mancha, by Dale Wasserman. Music by Mitch Leigh, Lyrics by Joe Darion.  Directed by Antonio Ocampo-Guzman.  Presented by New Repertory Theatre, 321 Arsenal Street, Watertown through December 31.

 

“Man of La Mancha” is based on the story of Miguel de Cervantes, one of Spain’s – and the world’s – most eminent authors. Cervantes was imprisoned many times over the course of his lifetime, usually for financial reasons, and managed to survive five years in captivity by pirates during his early military career. Throughout his captivity, his love for literature kept him going, setting the stage for his creation, Don Quixote, the nobleman who wishes to restore chivalry by becoming a knight in a world that’s decidedly harsh. With the help of a recruit, poor dumb farmer Sancho Panza, who serves as his squire, and his courtly love towards the lowly born Aldonza (renamed Dulcinea), Don Quixote attempts to live out his reality in his world where chivalry thrives.

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Praxis’ Successfully Blends Comedy, Political Commentary in ‘Accidental Death of an Anarchist’

 

By Mike Hoban

 

Accidental Death of an Anarchist – Written by Dario Fo; Adapted/Translated by Gavin Richards & Gillian Hanna; Directed by James Peter Sotis. Presented by Praxis Stage at First Church Boston, 66 Marlborough Street, Boston through December 17

 

Who says political theater has to be dour?

Not Praxis Stage, which has updated Dario Fo’s 1970 farce, the Accidental Death of an Anarchist, to deliver a very funny take on how western capitalist political systems “deal with” dissent. The re-worked script also fires a few broadsides at the circus that is the current United States political debacle, with references to “alternative facts” and “Fake News” sprinkled throughout. The play is based on a real life case where an anarchist, who was being interrogated in connection with a 1969 bank bombing in Italy, either jumped or was thrown to his death from the fourth-story window of a Milan police station. If that sounds a little heavy-handed, don’t worry, there’s plenty of clever dialogue and physical comedy to keep the non-Democratic Socialists entertained.

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THE BUTTERFINGERS ANGEL – The Players, Providence, RI

Reviewed by Tony Annicone

 

The second show of The Players season is William Gibson’s “The Butterfingers Angel, Mary & Joseph, Herod the Nut and the Slaughter of 12 Hit Carols in a Pear Tree” originally written for a church pageant. Hard to believe that he also was the author of the dramatic “The Miracle Worker.” An imaginative retelling of the Christmas story brings new relevance to its timeless subject. Gibson combines a series of short scenes, traditional Christmas music, antic characterizations into a wholly original theatre piece. It deals with the story of Joseph, Mary and the birth of Jesus in an off kilter point of view. The flow of the action follows the Biblical events, but is enhanced by a tree, a sheep and a donkey who talk.  Gabriel is a klutzy apprentice angel facing a lay off if Gabriel messes up one more time. The angel is flustered most of the time. Mary is a feminist matchmaker who wasn’t interested in marriage or men while Joseph is a philosophy spouting wimp who proclaims he is too old for his intended. Herod is a drum beating nutcase who is the funniest one of the bunch. Director Vince Petronio picks 15 performers to play the various roles in this show.

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“Noises Off”, URI Theatre

 

Reviewed by Tony Annicone

 

The second show of URI’s season is “Noises Off”, a 1982 play by Michael Frayn. The idea for it was born in 1970 when Frayn was standing in the wings watching a performance of “Chinamen”, a farce he had written for Lynn Redgrave. According to Frayn, “It was funnier from behind then in front” and vowed to write a farce from behind. The term “noises off” refers to sounds that occur offstage. Frayn plays on the concept of a play within a play, in this case a play called “Nothing On” in which a young girl runs around in her underwear, men drop their trousers, and many doors continually open and shut. Each of the three acts contain a performance of the first act of the play within a play. Act 1 is set at the dress rehearsal, the night before opening with the cast still fumbling for entrances and exits, missed cues. misspoken lines and bothersome props, most notably several plates of sardines. Act 2 is seen from backstage, providing a view that reveals the deteriorating personal relationships of the cast that lead to offstage shenanigans and onstage bedlam. Act 3 is the end of their 10 week run where personal friction has increased and everyone is anxious for the show to be done with. They attempt to cover up a series of mishaps but end up compounding the problems and draw attention to the bungling performance. The slapstick in the latter two acts is hilarious and where the strength of this script lies. Director Christopher Simpson chose the nine best performers for each of these roles and infuses the farcical elements needed to leave the audience in stitches all evening long.

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“IT’S A WONDERFUL LIFE, THE MUSICAL” (The Community Players, Pawtucket, RI)

“IT’S A WONDERFUL LIFE, THE MUSICAL”

Reviewed by Tony Annicone

 

The holiday musical at Community Players this year is “It’s A Wonderful Life, The Musical”. Based on the beloved 1946 film, this family friendly musical faithfully follows the familiar story of George Bailey’s life from childhood dreams to midlife disappointments. After George wishes he had never been born, an angel is sent to earth to make his wish come true and we all take the journey to discover whether his time on earth has mattered at all. Cinematically scored, this musical adaptation breathes new life into a familiar story, while retaining the warmth, humor and pathos of the original. Director Vinnie Lupino picked a strong leading man to portray George Bailey in Duane Langley who is onstage the entire show. His comic timing as well as his dramatic acting as he wrings every bit of pathos from this role,leaving the audience in tears. So you have the necessary ingredients for a very successful Christmas musical that audiences of all ages can enjoy thoroughly from start to finish. The musical score adds layers to these well known characters from the movie version especially Mary Hatch’s character as the audience discovers she yearned for George all through high school by being madly in love with him as she reveals in “My George Bailey.” Bravo on a job well done!

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Women Stand Strong in Boch Center’s Magnificent ‘The Color Purple’

 

by Mike Hoban

 

The Color Purple – Based on the novel by Alice Walker; Book by Marsha Norman; Directed by John Doyle. Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray; Set Design by John Doyle, Costumes by Ann Hould-Ward; Lighting by Jane Cox; Sound by Dan Moses Schreier. Presented by the Boch Center Shubert Theatre through December 3.

 

For those who believe that pain and suffering are indeed the gateways to a spiritual life, then Celie, the central character of The Color Purple, must surely be the poster girl for that philosophy. Celie suffers through presumed incest, teen pregnancy, and losing her children all by the time she turns 15, and the years that follow don’t get much better. But through persistence and prayer she endures her trials and tribulations and transforms herself into a strong woman of dignity and honor before our eyes.

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