Dunaway Does Hepburn in Bio Piece ‘Tea at Five’

Faye Dunaway in ‘Tea at Five’ playing now at the Huntington Theatre

by Mike Hoban

‘Tea at Five’ – Written by Matthew Lombardo; Directed by John Tillinger; Set Design by Scott Pask; Lighting Design by Kevin Adams; Costume Design by Jane Greenwood; Sound Design by John Gromada; Projection Design by Aaron Rhyne; Wig Design by Tom Watson. Presented at the Huntington Avenue Theatre, 264 Huntington Ave., Boston through July 14

It’s 1983 and legendary silver screen star Katharine Hepburn is sitting on her couch at the family home in Fenwick, Connecticut, recovering from an ankle injury incurred when she crashed her car into a telephone pole. After popping a couple of Percocet and pouring herself a Dewar’s, Hepburn launches into her life story, which forms the basis for Tea at Five, a dramatic monologue infused with humorous asides by playwright Matthew Lombardo.

Read more “Dunaway Does Hepburn in Bio Piece ‘Tea at Five’”

FUNNY MONEY – Newport Playhouse

Reviewed by Sue Nedar

The current fare at the award-winning Newport Playhouse is Ray Cooney’s Funny Money. A madcap farce of switcheroos, aliases, stolen money, and brief cases … keep your eyes on the brief cases!

Under the direction of Daniel Lee White, the ensemble of seven consists of:  Tony Annicone as the dastardly Detective Davenport, Rick Bagley as the unlikely thief Henry Perkins, Pamela Gill as the sexpot Betty Johnson, Jim Killavey as the cantakerous Vic Johnson, Sarah Reed as the frazzled Detective Slater, James Walsh as the suffering taxi driver Bill, and Playhouse staple Sandi Nicastro as poor, poor Jean Perkins.

Read more “FUNNY MONEY – Newport Playhouse”

BRING IT ON THE MUSICAL – Hendricken Summer Stage

by Tony Annicone

High school hijinks abound in “Bring It On” which is the Hendricken Summer Stage’s 20th Anniversary show. It has music by Tom Kitt and Lin-Manuel Miranda, with lyrics by Miranda and Amanda Green and a script by Jeff Whitty and is loosely based on the 2000 movie version. It premiered in Atlanta, Georgia in January, 2011 and it concerns Campbell, a cheerleader at Truman High School who becomes president of the cheerleaders. Her greatest wish is to become president of the cheerleaders and win the championship. However there is a redistricting plan that forces her to go to Jackson High School which doesn’t have a cheerleading squad. Whatever will Campbell do at her new school? Will she win the new street wise kids over or be shunned her senior year? A leprechaun outfit figures heavily in her future at Jackson High School in “That’s My Girl” song and as she hits some bumps along the road at her new school, this show teaches us to play fair with people, treat them decently and how to finally and most importantly get along with each other with all our differences. It also examines bullying, depression, stress and peer pressure and how twenty years in the future these blips from high school won’t matter at all. Hendricken’s Summer Stage show is directed flawlessly by Peter Mancuso Class of 2015 who recently graduated from NYU with a degree in film study. His blocking of this musical is meticulous and well thought out. It is musically directed by Ryan Cox class of 2014. Choreographers Danielle Grilli and Teresa Pearson create some terrific cheer leading routines, hip hop dances and tumbling that leave the audience cheering in the aisles. It is not only high energy but teaches everyone how they should behave towards each other.

Read more “BRING IT ON THE MUSICAL – Hendricken Summer Stage”

‘Private Lives’ a Classy Production of Classic Summer Fare at DTF

(Rachel Pickup as Amanda and Shawn Fagan as Elyot in the Dorset Theatre Festival production of ‘Private Lives. Photos: Joey Moro)

Reviewed by Shelley A. Sackett

‘Private Lives’ – Written by Nöel Coward. Directed by Evan Yionoulis; Set Design: Lee Savage. Lighting Design: Donald Holder. Costume Design: Katherine B. Roth. Sound Design: Jane Shaw. Fight Choreographer: BH Barry. Presented at the Dorset Playhouse, 104 Cheney Road, Dorset, VT through July 6.

Nothing welcomes light summery breezes like a witty Nöel Coward comedy of manners, and the Dorset Theatre Festival is spot on in its choice of the timeless Private Lives to open its 42nd season. The plot is deceptively simple. Divorced spouses Elyot (Shawn Fagan) and Amanda (the sublime and worth-the-price-of-admission Rachel Pickup) have remarried and are honeymooning with their respective new spouses, Sybil (Anna Crivelli) and Victor (Hudson Oz). By the divine intervention of Coward’s wicked imagination, they end up in adjacent rooms on the night they are each to start their new lives. When they see each other across their shared balcony’s hedge, the sparks fly and they impulsively flee their hapless new partners to resume what they have idealized as their romantic destiny.

Read more “‘Private Lives’ a Classy Production of Classic Summer Fare at DTF”

Gloucester Stage Has Us Running ‘Barefoot in the Park’

(Richard Snee, Paula Plum, and Joe Short in Gloucester Stage’s ‘Barefoot in the Park’)

Review by James Wilkinson

‘Barefoot in the Park’Written by Neil Simon. Directed by Shana Gozansky; Set Design: Jeffrey Petersen. Lighting Design: Marcella Barbeau; Costume Design: Rachel Padula-Shufelt; Sound Design: David Remedios; Props Design: Lauren Corcuera. Presented by Gloucester Stage Company, 267 E Main St, Gloucester through June 30

Neil Simon is the theatrical equivalent of a cozy sweater. The kind you don’t wash for fear that the spin cycle will somehow upset the delicate balance of softness and warmth. At least, that’s the case for me. To admit my biases upfront, I’ll say that the man has earned (or perhaps the better word is ‘claimed’) a special spot in my theatrical-going heart because the first play I ever worked on back in high school was his 1981 play, Fools (not one of his better works, but for nostalgic reasons, it’s got its own room in that theater heart of mine). So, when I went to Gloucester Stage Company’s production of Barefoot in the Park (which I think is one of his better works), I went expecting a charming and enjoyable evening at the theater. And that’s exactly what I got. Gloucester Stage’s production is an incredibly charming and enjoyable one that goes down like a glass of warm milk.

Read more “Gloucester Stage Has Us Running ‘Barefoot in the Park’”

Cirque du Soleil’s ‘Corteo’ Breathes Joyous Life into Clown’s Funereal Dream

Cirque du Soleil’s ‘Corteo’ at the Agganis Arena

Corteo – Written and directed by Daniele Finzi Pasca. Presented by Cirque du Soleil at the Agganis Arena, 925 Commonwealth Avenue, Boston through June 11

by Mike Hoban

“I dreamt of my funeral,” says Mauro the clown in the opening minutes of Corteo, this year’s Boston touring show from Cirque du Soleil, now playing at Boston University’s Agganis Arena. Originally staged in 2005, Corteo takes us inside Mauro’s wildly imaginative dream of his own funeral, as acted out by his fellow circus performers. Mauro is sent off to the great beyond with the help of clowns, acrobats, jugglers, and of course, a legion of angels. All of this action is accompanied by an eclectic score, ranging from mini-concertos to rock to Klezmer music, and if this is what the sendoff to the afterlife looks like – Lawdy, come take me now.

Read more “Cirque du Soleil’s ‘Corteo’ Breathes Joyous Life into Clown’s Funereal Dream”

‘Pride and Prejudice’ Gets a Gender-Bending Contemporary Twist

(Cast of Actor’s Shakespeare Project’s ‘Pride & Prejudice. PHOTO CREDIT NILE SCOTT STUDIOS)

Reviewed by Shelley A. Sackett

‘Pride and Prejudice’ –Written by Kate Hamill; Adapted from the novel by Jane Austen; Directed by Christopher V. Edwards; Choreography by Alexandra Beller; Sound Design by Ian Scot; Lighting Design by Deb Sullivan. Presented by Actors’ Shakespeare Project, Balch Arena Theater, 40 Talbot Ave., Medford, through June 29.

Jane Austen, the 19th century author of ‘Sense and Sensibility’, ‘Pride and Prejudice’, ‘Mansfield Park’ and ‘Emma’ did not hide the ball. Marriage in sexist Regency England is the central theme of all her novels, which she penned under the pseudonym “A Lady.” The laws of coverture, which governed marriage, stripped a wife of all her legal and economic rights, essentially making her a ward of her husband. In the absence of brothers, her family’s fortune would pass to her husband upon her father’s death.

Read more “‘Pride and Prejudice’ Gets a Gender-Bending Contemporary Twist”

Huntington’s ‘Yerma’ an Absorbing Tale of Obsession

Ernie Pruneda (Victor), Nadine Malouf (Yerma) and Christian Barillas (Juan) in the Huntington Theatre Company’s production of Yerma playing at the Calderwood Pavilion at the BCA. © Photos: T. Charles Erickson

by Mike Hoban


‘Yerma’ – Conceived by Melinda Lopez and Melia Bensussen, Adapted and Translated by Melinda Lopez, based on the play by Federico Garcia Lorca. Directed by Melia Bensussen; Scenic Design by Cameron Anderson; Costume Design by Olivera Gajic; Lighting Design by Brian J. Lilienthal; Sound Design by Brendan F. Doyle & Mark Bennett; Original Music by Mark Bennett; Music Direction by Jesse Sanchez; Choreography by Misha Shields. Presented by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, Boston through June 30


Right from the outset of Yerma, the absorbing and surrealistic adaptation/translation of Federico Garcia Lorca’s 1934 work by Boston playwright Melinda Lopez, there are subtle hints that, despite appearances, there may be trouble on the horizon for the marriage of the title character and her husband Juan. But that foreshadowing is unlikely to prepare us for the path that this strange and poetic story will take, as it morphs into an unsettling tale of obsession and eventually, madness. The Huntington Theatre Company is presenting this world premiere play with music at the Boston Center for the Arts’ Calderwood Pavilion through June 30th.

Read more “Huntington’s ‘Yerma’ an Absorbing Tale of Obsession”

Theatre by the Sea’s “Singing in the Rain” Shines

(Tim Falter as Don Lockwood in SINGIN’ IN THE RAIN live on stage at Theatre By The Sea thru July 13, 2019. Photos by Steven Richard Photography)

Reviewed by Tony Annicone You won’t hear people singing in the rain this year because we’ve been having a very rainy year and are sick of it. However when you come to see it rain in the theatre it will definitely put a smile on your face, a song in your heart and your feet tapping away. The second summer blockbuster musical for Theatre by the Sea’s 86th season is “Singing in the Rain”, the 1985 stage version of the classic 1952 movie. It starred Gene Kelly, Donald O’Connor and Debbie Reynolds and was directed and choreographed by Gene Kelly and Stanley Donen. The show was written by Betty Comden and Adolph Green and is set in 1927 Hollywood. It is a light hearted musical romantic comedy about the early days of sound film, when many a studio found itself scrambling due to the career of chipmunk-voiced silent film stars.

Read more “Theatre by the Sea’s “Singing in the Rain” Shines”

‘An Oak Tree’ Grows at Theatre on Fire

Review by James Wilkinson

‘An Oak Tree’Directed by A. Nora Long. Sound Design: Nathaniel Talbot. Lighting Design: Darren Evans. Presented by Theatre on Fire at the Charlestown Working Theater June 13-22, 2019.

Tim Crouch’s An Oak Tree, now being presented by Theatre on Fire, is described in the program notes as “a theatrical experiment” rather than as “a play.” Whatever it is, the piece involves two performers. The first is a character identified as “The Hypnotist” who is being played by Michael Carr. The second person on stage changes with each performance and will be someone who has not read the script. They’ll be stepping into the show completely blind, having only the Hypnotist for guidance through the evening.

…And that’s all you’re getting from me in terms of show description.

Read more “‘An Oak Tree’ Grows at Theatre on Fire”