‘By the Queen’ at Trinity Rep

cast of ‘By the Queen’ at Trinity Rep. Fiona Marie Maguire as Margaret 1, Rachel Christopher as Margaret 2, JāQuan Malik Jones as Ensemble 4 (background), Paula Plum as Margaret 3, and Jeff Church as Ensemble 5 (background). Photo by Mark Turek.

by Tony Annicone

The first show at Trinity Rep in 2023 is the world premiere of “By the Queen” by Whitney White, the Obie winning playwright who is a 2015 alumna of Trinity/Brown. This new show is based on William Shakespeare’s “Henry VI” plays and “Richard III.” White takes the character of Queen Margaret and creates this brand-new show with three women playing Margaret at different stages of her life and also makes it relevant to the 21st Century. She was inspired to do this after viewing “MJ” on Broadway which stars three actors as Michael Jackson. “By the Queen”  starts off with Margaret as a princess from France through her ascension to the throne of England, to a long war and her eventual downfall. She is a warrior, a wife, a politician and a mother. In this production, White mixes four Shakespearean plays to create a fully developed character and brings together all the worlds she loves including music, Shakespeare, high quality performative art and entertainment. The first Margaret is naïve, while the second one is more confident and self-assured. The third one is wise as she looks back on her life and explores everything, she did through the years. The three women and five male cast members are onstage the whole show. Margaret has to figure out if all her machinations were really worth it as the three different Margarets look back on her life. They delve into why she did the things she did and even why she helped murder people who got in her way. Director Brian McEleney makes the show grab your attention from the start to the very end. He elicits splendid performances from his eight-member cast as he blends the comic moments of the contemporary show into the more dramatic Shakespearean ones. The combination of White’s splendid script and McEleney’s insightful direction results in a spontaneous standing ovation at the close of this well acted and directed show. 

The show starts off with a bang as the three women lead the cast in “You Can’t Always Get What You Want.” They speak directly to the audience and interact with some of the crowd in the playing area. The first act uses Henry IV Part 1 & 2, where we learn Margaret is a princess from France who is captured by the Duke of Suffolk. Fiona Marie Maguire plays the young girl who receives Margaret’s first kiss. Suffolk is supposed to deliver her to Henry VI but also wants to keep her as his own mistress. Fiona captures the youthful vigor of Margaret 1. This young woman becomes more aware of things as the show progresses. Modern day sensibilities are looked at during these scenes. It is apparent they are no longer acceptable by both the cast and audience.

The show crackles with electricity when Rachel Christopher’s confident and caustic character of Margaret 2 appears on the scene. Her witty line delivery and comic demeanor win the day for this character. Later she turns more serious as she rejects Henry VI’s Uncle, Gloucester, and has him put to death. Afterwards Margaret wants to run off with Suffolk which ends badly. The first act ends with Margaret winning the hearts of England. Act 2 begins with Rachel’s dramatic dialogue from Henry VI Part 3.

This leads into the next section of Act 2 which concerns Richard III. Veteran actress Paula Plum commands the stage as Margaret 3 as she rounds up the other two women to complete their examination of the life of this Queen. She has many comic lines which she delivers marvelously. She looks into the eyes of audience members as Margaret chastises them or questions them. Plum just gives a glance at them to win many laughs all night long. However, she also delivers a dramatic speech from Richard III to mesmerize the crowd before the show ends. 

The five men in the show play multiple roles as they deliver the goods both comically and dramatically. Taavon Gamble plays the romantic Suffolk who captures Margaret’s heart although he gives her the first kiss against her will. Jeff Church wins many laughs as the Shakespeare purist who keeps correcting the play to go back to the original text. He also plays the diabolical Richard III, complete with hunched back. Mauro Hantman plays two dramatic roles of Gloucester and York where he gets killed off in violent and dramatic fashion. Matthew Russell plays the religious Henry VI who recites the Our Father the first time, he’s making love to Margaret which wins many laughs. JaQuan Malik Jones plays Warwick and the tragic son, Edward but does many comic turns in the first act to liven things up.

Whitney White adds musical numbers to the show including a fantastic dance number to “I Will Survive” which revved the crowd up to a fever pitch. Let me just say this show isn’t your grandparent’s idea of Shakespeare. So, for a world premiere of a show that will resonate with you and is very relevant for 21st century audiences, be sure to catch “By the Queen” at Trinity Repertory Company. You will laugh and be moved dramatically by this fantastic show. For tickets go to www.trinityrep.com before time runs out. Tell them Tony sent you.

BY THE QUEEN (12 January to 12 February)

Trinity Repertory Company, 201 Washington Street, Providence, RI

1(401)351-4242

Theater Mirror Reviewers Top Five Picks for 2021

Zurin Villanueva and Gregg Mozgala in the Huntington’s ‘Teenage Dick’

Let’s face it, as eagerly as theatergoers anticipated the return to live theater in 2021, it was a fairly unremarkable year in terms of productions. And given that the season didn’t fully get underway until September (with the exception of Gloucester Stage’s solid outdoor programming at the Windhover Performing Arts Center in Rockport), there wasn’t a wealth of shows to weigh in on for a top 10 list for the year, and please bear in mind that reviewers did not see all of the shows. So here are the Top 5 lists as submitted by our participating reviewers (with links provided to original Theater Mirror reviews):

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Believe the Hype- ‘Imagine Van Gogh’ at SoWa Power Station Is A Knockout

Photo by Laurence Labat

by Shelley A. Sackett

‘Imagine Van Gogh the Original Immersive Exhibition in Image Totale©” is at the SoWa Power Station, Boston, through March 19, 2022. For tickets or more information, go to www.imagine-vangogh.com .

“Imagine Van Gogh the Original Immersive Exhibition in Image Totale©” has  been advertising its arrival in Boston since last March. At last, the wait is over and, in a nutshell, it was well worth it.

It is hard to overstate the impact of walking into a 24,000 square foot architectural wonder that has been transformed into a blank canvas for multi-projections of 200 of the Dutch artist’s most vibrant and famous paintings. Viewers don’t just enter a gallery; they enter a world, miraculously passing through a magical keyhole that allows us to become part of these masterpieces.

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An Invigorating “Fiddler on the Roof” Comes to Emerson Colonial

Cast of ‘Fiddler on the Roof’ at Emerson Colonial. Photos by Joan Marcus

by Michele Markarian

‘Fiddler on the Roof’ – Book by Joseph Stein. Music by Jerry Bock. Lyrics by Sheldon Harnick  Original Direction by Bartlett Sher; Direction Recreated by Sari Ketter and Shirley Butler.  Presented by NETworks Presentations, Emerson Colonial Theatre, 106 Boylston Street, Boston through December 26.

I love “Fiddler on the Roof”. I have seen this show more times than I can count, including a middle school production in Rhode Island with a then twelve-year old Andrew Burnap, winner of this year’s Tony award for his role in “Inheritance”, as a very convincing Tevye. It’s a great show, and it’s hard to imagine that any one production could make it even greater. But last night’s show at the Emerson Colonial did exactly that.

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Christmas Revels Returns to Sanders Theater

William Fournier and Carolyn Saxon with cast in ‘Christmas Revels’- Photos by Shep Ferguson

by Mike Hoban

‘The Christmas Revels: In Celebration of the Winter Solstice’ – Directed by Patrick Swanson; Musical Direction by George Emlen, Edmar Colon, Associate Music Director; Set Design by Jeremy Barnett; Sound Design by Bill Winn; Lighting Design by Jeff Adelberg; Choreography by Kelli Edwards; Costume Design by Kelli Edwards, Gillian Stewart, Tony Tucker; Heidi A. Hermiller; Projection Designer; Presented by Revels at The Sanders Theater at Harvard University, 45 Quincy Street, Cambridge, through December 23rd (run cut short by COVID concerns)

Following a year when the Christmas Revels celebrated its 50th anniversary with a virtual performance made up mostly of taped snippets from the previous 49 years of shows, the Celebration of the Winter Solstice returns live once again to the magnificent Sanders Theater with its truly traditional holiday-themed fare. And while previous editions have taken us back in time to various locales of the northern hemisphere to celebrate traditions around the Winter Solstice (the shortest day), this year’s performance is set in a present-day English pub, where the patrons gather to sing traditional English village carols, led by pub owners Rita (Revels veteran Carolyn Saxon) and her partner (William Forchion). The pub is visited by time travelers from the Elizabethan era (or a Renaissance fair), who threaten to revoke the Christmas Revels charter for their failure to comply with some vague rules of conduct. It’s an interesting set up to a show that offers a number of creative twists to the standard programming.

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Arlekin Players’ ‘Witness’ Unflinchingly Details the Jewish Experience

Arlekin Players ‘Witness’ (virtual)

by Julie-Anne Whitney

‘Witness’– Written by Nana Grinstein with Igor Golyak and Blair Cadden; conceived and directed by Igor Golyak; scenography and costume design by Anna Fedorova; virtual design by Daniel Cormino; sound design by Victor Semenov; editing by Anton Nikolaev; cinematography by Austin de Besche; dramaturgy by Blair Cadden; stage managed by Kendyl Trott. This world premiere production runs at the (zero-G) Virtual Theater Lab through January 23, 2022. 

“Where do unwanted people go?” This is the question that Arlekin Players Theater is asking us to consider in their new virtual documentary theater piece, Witness.

Set on a ship that travels through time, Witness explores the seemingly endless migratory experiences of Jewish people throughout history. The source material for the script comes from historical letters, journals, and newspaper articles as well as recent interviews with immigrants and refugees from around the world. The story, written by Nana Grinstein, is inspired by the 1939 transatlantic voyage of the M.S. St. Louis. With over 900 Jewish refugees on board, the St. Louis was cruelly turned away from ports in Cuba, Canada, and the U.S., and ultimately forced to return to Europe. Of the more than 500 passengers who became trapped in Nazi-controlled countries, 254 of them were killed in concentration camps.

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Moonbox Offers End-of-Year Delights with ‘Passing Strange’

Cast of Moonbox Productions’ ‘Passing Strange’ Photos: Nikolai Alexander

by James Wilkinson

‘Passing Strange’ –  Book and Lyrics by Stew. Music By Stew and Heidi Rodewald. Created in collaboration with Annie Dorsen. Directed by Arthur Gomez. Associate Director: Regine Vital. Music Director: Julius LaFlamme. Associate Music Director: David Freeman Coleman. Set Designer: Lindsay Fuori. Lighting Designer: Aja M. Jackson. Choreographer: Elmer Martinez. Costume Design: Chelsea Kerl. Sound Design: James Cannon. Props Design: Michelle Sparks. Presented by Moonbox Productions at the Calderwood Pavilion at the Boston Center for the Arts, December 10, 2021-January 1, 2021.

It’s all about the atmosphere here. That’s the vibe you get when you walk into Moonbox Productions’ Passing Strange and the stage is awash in electric blue light. The performance space is devoid of furniture, the musicians haven’t yet taken their places on the side, but the theater already has a crisp glow to it. Get ready. Musicals as an artform tend to veer toward the bombastic. Even for supposedly intimate chamber pieces, it’s all about getting to that moment when mere dialogue doesn’t do the emotions justice and the songs explode out of the characters diaphragms. Passing Strange is working on a different wave length. It’s not that the show lacks big musical moments that make the hair on the back of your neck stand up, (they’re here and they rip), it’s that it gets to those moments in a much more circuitous way. Moonbox’s production is one that you slide right into and it feels as lived-in as a memoir. Everything we witness is through the eyes of our lead character; we’re practically under his skin.

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“Wild: A Musical Becoming” Soars at A.R.T.

Cast of “Wild: A Musical Becoming” at A.R.T. Photo Credits Maggie Hall – Nile Scott Studios

by Michele Markarian

“Wild: A Musical Becoming”. Book by V (formerly Eve Ensler). Music by Justin Tranter and  Caroline Pennell, with contributions by Eren Cannata. Lyrics by Justin Tranter, Caroline Pennell and V, with contributions by Idina Menzel. Directed by Diane Paulus. Presented by American Repertory Theater, Loeb Drama Center, 64 Brattle Street, Cambridge, through January 2.

Admittedly, I was not 100% enthused about seeing a musical theater piece about climate change that was billed as a script-in-hand, concert production, but being a huge Idina Menzel fan, as well as a concerned citizen for the climate, I decided it might be worth it. Having seen it, I can say with conviction that even if you are not an Idina Menzel fan and are oblivious to the climate crisis, run, don’t walk, to your keyboard and order tickets to this musical happening. This is by far one of the most electrifying and energizing shows I have seen all year, delivering its urgent message with heart and hope. From the exuberant, toe tapping opening number by the entire cast of “Mouths to Feed”, the audience knew we were in for something special.

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Huntington Theatre’s Ambitious ‘Teenage Dick’ Challenges Our Assumptions

Louis Reyes McWilliams, Shannon DeVido, Emily Townley, Portland Thomas, Gregg Mozgala in ‘Teenage Dick’, at The Huntington Calderwood/BCA. Photos: Teresa Castracane

‘Teenage Dick’ – Written by Mike Lew; Directed by Moritz von Stuelpnagel; Scenic Design by Wilson Chin; Sound Design by Palmer Hefferan; Lighting Design by Amith Chandrashaker; Choreography by Jennifer Weber; Fight Choreography by Robb Hunter. Presented by The Huntington Theatre Company at The Calderwood Pavillion, 527 Tremont St., Boston through January 2, 2022.

by Shelley A. Sackett

From the moment he walks onto the bare stage and addresses the audience in the first of many private monologues, it’s clear 17-year-old Roseland High School junior Richard Gloucester (Gregg Mozgala) has an angle beyond just establishing a connection with the audience. What that angle is is less clear, and will shape-shift with dizzying speed during the next 70 minutes until the audience is left in a delicious murky space of questioning almost everything they thought they knew about both Richard and themselves.

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NSMT’s ‘A Christmas Carol’ Delivers a Hopeful Holiday Extravaganza

David Coffee (Ebenezer Scrooge) and Alex Puette (Jacob Marley) in A CHRISTMAS CAROL at North Shore Music Theatre – Dec 2-23. Photos by Paul Lyden

By Mike Hoban

‘A Christmas Carol: A Musical Ghost StoryAdapted by Jon Kimbell. Based on the Novella by Charles Dickens; Director/Choreographer, Kevin P. Hill; Music Director, Milton Granger. Presented by the North Shore Music Theatre, Dunham Road, Beverly through December 23rd

Following a one-year hiatus due to the pandemic, the North Shore Music Theatre returns with its own special spin on the Christmas Carol holiday classic with the 30th anniversary presentation of A Christmas Carol: A Musical Ghost Story – and delivers the heartwarming tale of redemption with a terrific score along with a dose of pyrotechnics. The NSMT adaptation retains much of the dialogue and storyline of the original, as cold-hearted Ebenezer Scrooge is transformed into a loving and fully realized human being with the help of some friendly (and frightening) spirits showing him the way.

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